On
the heels of the Oscar-winning success of last
yearfs Ray, Universal Pictures has announced
plans to take on another biopic in the same musical vein,
this one centering on female, white soul artist, Dusty Springfield.
In
relaying the news, The Hollywood Reporter
hinted the film would gfocus primarily on Springfieldfs
life in the e60s, culminating with the making of Dusty
in Memphis,h the period during which "Dust,"
as her friends called her, became a wildly popular e60s
icon nearly overnight with her blond beehive, kohl-smoldered
eyelids and strong, soulful voice—a voice many couldnft
believe came from an five-foot-three Irish catholic girl
from the suburbs of London.
It
wasnft until 1970, though, a bit after Dusty in
Memphis (1969) hit record stores (and failed on the
charts, but has since become a classic), that Springfield
openly admitted she liked women as well as men, telling
Londonfs Evening Standard, gI know
Ifm as perfectly capable of being swayed by a girl
as by a boy. More and more people feel that way and I donft
see why I shouldnft.h
Considering
how many light years ahead of her time making such a statement
was then, no one can begrudge Springfield the fact that
throughout much of her musical career, she either described
herself as bisexual or declined to answer interrogations
(which came often) about her sexuality. gMy relationships
have been pretty mixed,h she told The New York
Times Magazinefs Rob Hoerburger in 1995, gAnd
Ifm fine with that. Whofs to say what you are...
Itfs other people who want you to be something or
other—this or that. Ifm none of the above. Ifve
never used my relationships or illnesses to be fashionable,
and I donft intend to start now.h
Will
the film address the British singerfs acknowledged
love affairs with women?
The
project's director seems to imply that it will. Jessica
Sharzer, who previously directed a short produced by the
Hollywood lesbian networking association POWER UP, Fly Cherry,
and a made-for-Showtime film, Speak, which played
at Sundance in 2004 to great reviews, will be directing
the film. Based on Sharzerfs previous association
with POWER UP and Springfieldfs well-documented predilection
for women, it seems very likely that Springfieldfs
queer side will come out in the film, despite the fact it
will concentrate on the period before the recording artist
was publicly out.
When
contacted about it, Sharzer, who is heading off to London
to research Dustyfs life in her birth country for
the script, told us that while she's still in the research
phase, gwith respect to Dusty's lesbianism—we
are not shying away from it at all.h She couldnft
say much more, given that the film is still in early stages
of production, but this alone is enough to stir up anticipation
for what will be one of few big budget biography films of
legendary women that either address or explicitly imply
their queer sexualities (joining the likes of 1933fs
Queen Christina and 2002fs Frida).
After
Springfieldfs death from breast cancer in
1999, a recent biography, Dancing With Demons: The
Authorized Biography of Dusty Springfield, by her
friends Penny Valentine and her longtime manager Vicki Wickham
(also manager of such acts as Morrissey, Marc Almond, and
Patty Labelle), was crystal-clear on the subject of the
music starfs lesbian sexuality.
Wickham,
who is serving as a consultant on the Dusty Springfield
film, met Springfield in 1962. The two women, both queer,
became fast friends and stayed friends through out Springfieldfs
life, as Wickham reminisced to the Sunday Express
in 2000: gWe both knew we were gay right from the
start and I think that helped enormously. We were totally
platonic, though, which I think is why it lasted. We really
were just mates and because of that she could tell me about
her affairs and I could tell her about mine.h
Born
Mary Isobel Catherine Bernadette OfBrien in 1939fs
London, Dusty was educated in a Roman Catholic convent where
she reportedly informed the nuns early on that she wanted
to be a jazz singer when she grew up. Dubbed a childhood
tomboy by her mum and dad in a 1965 New Musical Express
interview entitled, fittingly gMary was a Tom-Boy,h
Dusty was considered something of an pariah as a youngster,
who spent a lot of her time wearing out the grooves on her
dadfs pop, jazz, and blues records, loving especially
the tunes of Ella Fitzgerald and Peggy Lee.
The
West Wingfs Kristin Chenoweth, who is slated
to play the British singer in the upcoming biopic, referenced
Springfieldfs awkward childhood and resulting fragile
ego as a way she found into the character: gShe was
very, very insecure, she grew up a chubby kid with acne
in England, and was kind of an outcast who always went home
and listened to her records. I understand that. Everybody
tells me, gYou seem so confident, like you have the
world by a string.h But I donft care who you
are—if youfre a creative person, you are insecure.
Thatfs what we draw from.h
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