Since its publication in 1996, George Saunders’s debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world. With a new introduction by Joshua Ferris and a new author’s note by Saunders himself, this edition is essential reading for those seeking to discover or revisit a virtuosic, disturbingly prescient voice.
 
Praise for George Saunders and CivilWarLand in Bad Decline
 
“It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal
 
“Saunders’s satiric vision of America is dark and demented; it’s also ferocious and very funny.”—Michiko Kakutani, The New York Times
 
“George Saunders is a writer of arresting brilliance and originality, with a sure sense of his material and apparently inexhaustible resources of voice. [CivilWarLand in Bad Decline] is scary, hilarious, and unforgettable.”—Tobias Wolff
 
“Saunders makes the all-but-impossible look effortless.”—Jonathan Franzen
 
“Not since Twain has America produced a satirist this funny.”—Zadie Smith
 
“An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.”—Thomas Pynchon

An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone. Over six years in the writing, and brilliantly and beautifully packaged, this novella is Saunders' first stand-alone, book-length work—and his first book for adults in five years.

 

Febrero de 1862. En medio de la sangrienta guerra civil que divide al país en dos, el hijo de doce años del presidente Lincoln está gravemente enfermo. En cuestión de pocos días, el pequeño Willie muere y su cuerpo es trasladado hasta un cementerio en Georgetown. Los periódicos de la época recogen a un Lincoln deshecho por la pena que visita la tumba en varias ocasiones para guardar el cuerpo de su hijo.
A partir de este hecho histórico, Saunders despliega una historia inolvidable sobre el amor y la pérdida que se adentra en el territorio de lo sobrenatural, allí donde tiene cabida desde lo terrorífico hasta lo hilarante. Willie Lincoln se halla en un estado intermedio entre la vida y la muerte, el llamado Bardo según la tradición tibetana. En este limbo, donde los fantasmas se reúnen para compadecerse y reírse de lo que dejaron atrás, una lucha de dimensiones titánicas surge de lo más profundo del alma del pequeño Willie.