Building on the continuing tropes that director Hayao Miyazaki and Studio Ghibli often reflect upon in the cores of their feature films, in Howl’s Moving Castle , the themes of war, industrialisation, and metamorphosis compete, contrast, and comment upon notions of peace, nature and self-understanding...
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ResilienceCitation
WILSON, C. and WILSON, G.T., 2015. Taoism, Shintoism, and the ethics of technology: an ecocritical review of Howl's Moving Castle. Resilience: A Journal of the Environmental Humanities, 2 (3), pp.189-194.Publisher
© University of Nebraska PressVersion
NA (Not Applicable or Unknown)Publisher statement
This work is made available according to the conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/Publication date
2015Notes
This paper is a pre print published in the journal Resilience: http://www.jstor.org/stable/10.5250/resilience.2.3.0189ISSN
2330-8117Language
en
CC BY-NC-ND 4.0