Louis Armstrong: The Life, Music, and Screen Career

Front Cover
McFarland, Jan 1, 2004 - Biography & Autobiography - 231 pages
Louis Armstrong was not only a virtuoso musician, singer, composer and actor, but also a dedicated writer who typed hundreds of letters and reminiscences, carrying a typewriter with him on his constant travels around the globe. The man never stopped creating, and constantly communicated with friends and acquaintances. His unique verbal, musical and visual content and style permeated everything he touched.
Included in this extensive career biography are the major events of his life, his artistic innovations and cultural achievements, a detailed survey of his recordings and live performances, and in-depth discussions of his screen performances--not only his Hollywood feature film appearances, but his performances in short films, European concert films, and dozens of television shows broadcast from Hollywood, New York and Europe.
 

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Contents

The Most Righteous
1
Youve Got to Dig Pops
7
Big Easy to Big Apple
25
Jim Crow and the Jazz
34
SilverScreen Swing
68
To Hell with That
105
Take Me Along Daddy
131
Wild Man and Duke
173
Richer Than Rockefeller
174
Dead Man Blues 131 153 174
194
Swingin Satchmo Sides
199
Satchmo in Hollywood
200
A Glossary of Satchmospeak
210
Notes Bibliography Index
213
Copyright

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Page 85 - It sure was a sad scene to watch the law run all those people out of Storyville. They reminded me of a gang of refugees. Some of them had spent the best part of their lives there. Others had never known any other kind of life....
Page 12 - grinning in the face of racism as his absolute refusal to let anything, even anger about racism, steal the joy from his life and erase his fantastic smile. Coming from a younger generation, I misjudged him.'°
Page 121 - What many thoughtful Europeans cannot understand is why the United States Government, with all the money it spends for so-called propaganda to promote democracy, does not use more of it to subsidize the continental travels ofjazz bands.
Page 139 - The way they are treating my people in the South, the government can go to hell.
Page 73 - Throughout the ages, powerful and inspiring thoughts have been preserved and handed down by the medium of the legend, the fable and the fantasy. The folklore of America has origins in all lands, all races, all colors. This story of faith and devotion springs from that source and seeks to capture those values.
Page 21 - found its own way of handling English, as it had to find its own way in handling many other aspects of a white, hostile world. Jive is one of the
Page 121 - bands. . .. American jazz has now become a universal language. It knows no national boundaries, but everyone knows where it comes from.
Page 21 - White America perpetrated a new and foreign language on the Africans it enslaved. Slowly, over the generations, Negro America, living by and large in its own segregated world
Page 121 - wrote: America's secret weapon is a blue note in a minor key. Right now its most effective ambassador is Louis (Satchmo) Armstrong.
Page 214 - State of New York, City of New York, County of New York, 1

About the author (2004)

Scott Allen Nollen is the author of fourteen books on the history of film, literature and music, including, from McFarland, Jethro Tull (2002), The Boys: The Cinematic World of Laurel and Hardy (2001 [1989]), Robin Hood (1999), Sir Arthur Conan Doyle at the Cinema (1996), Robert Louis Stevenson (1994) and Boris Karloff (1991).

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