Beschreibung
VIII; 235 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Very good and clean. - Sehr gut und sauber. - My interest in the intellectual history of the English Renaissance and in Shakespeare in particular began during a summer matinee performance at the Aldwych Theater, London, 1969. My experience of Troilus and Cressida that afternoon exhilarated yet disconcerted me. While I had never formally studied Shakespeare, I sensed that I had experienced him "wrongly" not as I was supposed to, not as "intended." As I turned to Elizabethan historians and literary critics and returned to Troilus and Cressida (at the theater and in the text), I began to feel that the unease I had experienced, the dis-order (if you will), was meaningful. The play I watched and listened to and the text I read were problematical. Its language gave the lie to its "meaning", to the "ideology" of order that Tillyard and others so clearly and so appropriately, it appeared identified as a thematic Elizabethan and Shakespearean convention. It was not that the play (and as I continued to read other of Shakespeare s plays, I saw a similar relationship) was not about order, it was more that it problematically questioned its own "obvious" theme. It simultaneously established (reinforced, perhaps) and contested (critiqued) an "ideology" of order. Such textual self-contestation denied reductive interpretations that identified objective meaning in Shakespearean text and/or in Elizabethan cultural contexts; it suggested that historical meaning could best be apprehended as an experiential process. In trying over the years and in this book to approach the historical nature of this textually momentous self-contestation, I have treated the idea of order both as the objectively conventional Elizabethan ideology and as the referential context against which such "meaning" is subjectively problematized. As an intellectual history of the idea of order, this book hopes in the words of Dominick LaCapra "to formulate as a problem what is so often taken deceptively as a solution: the relationship between texts and their various pertinent contexts." Contents: From Divine Cosmos to Sovereign State: The Tudor Idea of Order fully described. The Idea of Order in the 1640s outlined.; The Dramatic Microcosm: From Tamburlaine to Prospero, The Struggle with Self-Definition: Tudor Drama and Marlowe. Shakespiere.; Anomalies and Alternatives in Elizabethan England: The Subtle Changes in the Order Men: Barckley, Merbury, Mulcaster, Smith, Wentworth, et al. Richard Hooker: The Innovative Conservative. The Doleman Controversy: Catholic Political Psychology.; Refining and Defining: Jacobean England: The New Order Theorists and Radical Conservatism: James I, Forset. The Secular Inroads, Political Psychology, and New Values in Politics and Economics: Raleigh, Bacon, Eliot, and Merchant Pamphlets. The Hermetic-Eirenicist View: Sidney, Greville, and the Cult of the Magus. The Place of Nature, Philosophy, and Magic in New Social Utility: Sir Francis Bacon.The Final Defining Voices: Sir Robert Filmer and John Selden. Pamphlets on Politics and Society, 1640-1643: Parker, Herle, Hunton vs. Digges and Ferne. Hobbes and the Sovereign State. ISBN 9780195071313 Sprache: Englisch Gewicht in Gramm: 396. Bestandsnummer des Verkäufers 1184766
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