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The Woman in White Hardcover – 17 Nov. 2023
The woman who first gives life, light, and form to our shadowy conceptions of beauty, fills a void in our spiritual nature that has remained unknown to us till she appeared. Wilkie Collins' controversial novel was partly inspired on a real-life 18th century abduction and unlawful imprisonment. It was one of the first works of 'detective' fiction with a storey knitted together from numerous characters. In 1859, the storey created a stir among readers by capturing their attention with a haunting initial scene in which the enigmatic 'Woman in White,' Anne Catherick, meets Walter Hartright. The novel's chilling, suspenseful, and tense mood remain as evocative for readers today as they were when it was first released.
- ISBN-109360002232
- ISBN-13978-9360002237
- PublisherGrapevine India
- Publication date17 Nov. 2023
- LanguageEnglish
- Dimensions21.6 x 14 x 0.7 cm
- Print length102 pages
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About the author
William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868), considered the first modern English detective novel.
Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel Antonina was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins' works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on dramatic and fictional works.
Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During this time he began suffering from gout took opium for pain and developed an addiction. During the 1870s and '80s the quality of his writing declined along with his health.
Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves except for a 2 year separation, and his common law wife Martha Rudd with whom he had 3 children.
Bio from Wikipedia, the free encyclopedia. Photo by Elliott & Fry [Public domain], via Wikimedia Commons.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book well worth reading and fascinating. They describe the plot as thrilling, engrossing, and suspenseful. Readers praise the writing as clear, engaging, and talented. They also appreciate the wonderful characters and the gripping narrative. However, some find the length and pace too long and slow.
AI-generated from the text of customer reviews
Customers find the book thought-provoking, fascinating, and gripping. They also say it's a classic.
"...- yes, it's a classic but it's also one of the most readable and enjoyable books I've ever read." Read more
"A very enjoyable novel. Well written with an excellent plot...." Read more
"..." has so many elements to it that contribute in making it such an engrossing read, that they are almost too numerous to mention...." Read more
"...Thought provoking and very well worth reading." Read more
Customers find the plot thrilling and engrossing from beginning to end. They appreciate the mystery, suspense, and the split narrative. Readers also say the book is an interesting exploration into the conventions of marriage. They mention the twists are unpredictable and the book truly is a classic Gothic mystery.
"...to the usual portrayal of 19th century women, she is a brave, intelligent, courageous person who on several occasions puts herself in danger in..." Read more
"A very enjoyable novel. Well written with an excellent plot...." Read more
"...The novel is an interesting exploration into the conventions of marriage and it's financial benefits in the 19th Century, albeit in a more subtle..." Read more
"...The lovable, hateful, frightening and beautifully sinister manipulation of the count underlies this whole narrative, his influence with his little..." Read more
Customers find the writing quality of the book clear, engaging, and readable. They appreciate the subtlety, mesmerizing passages, and level of detail. Readers also say the characters are varied, well-defined, and credible. In addition, they say the story is well-thought-out and moves along at a great rate.
"...fall into that category - yes, it's a classic but it's also one of the most readable and enjoyable books I've ever read." Read more
"...The book is constructed from several sources which gives a certain realism to the work." Read more
"...The subtlety is a great positive as Collins does not make any message he looks to impart, overbear the plot itself...." Read more
"...The story is well thought out and goes in directions I never anticipated in my wildest dreams...." Read more
Customers find the characters wonderful, well-written, and lovable. They also appreciate the fantastic characterisation that touches on every level. Readers also mention the book has a split narrative between several characters. They mention Marian Halcombe is portrayed brilliantly as a strong and fearless woman.
"...portrayal of 19th century women, she is a brave, intelligent, courageous person who on several occasions puts herself in danger in order to protect..." Read more
"...Fantastic characterisation that touched on every level. I so adored Mr Fairlies antics that I felt sad at the end when he die...." Read more
"...Having said that, he writes an excellent malevolent character. All in all, I didn’t really like the book but didn’t hate it either...." Read more
"...The characters form an interesting and unique cast - a true motley bunch!..." Read more
Customers find the book gripping. They say it feels great to handle when reading it.
"...it was written in the 19th century it's as exciting and gripping as a modern day thriller...." Read more
"...Beautifully written With all the twists and turns it kept me gripped to the end.I now have two more Wilkie Collins to read." Read more
"...They are superb quality inside and out, and feel great to handle when reading them...." Read more
"Enjoyed this book. It was quite gripping in places and you tended not to want to put it down, so don't start to read if only got a few minutes...." Read more
Customers have mixed opinions about the book. Some mention it's hard to put down, while others say it'll take a lot of patience and starts off a bit hard going.
"...All I know is that I found it very hard to put this book down and might well now read some of his other books" Read more
"...about three quarters of the way through this book and find it difficult to put down...." Read more
"...Although a fairly long read, it was hard to put down. There were loads of turns and twists in the plot, keeping you on edge until the end...." Read more
"...It started of a bit hard going and I thought it would be too "girly" for me a retired gentleman...." Read more
Customers find the book to be too long. They say it takes a lot of effort to read and is a tough read. Readers also mention the letters are small and difficult to keep reading.
"...bits, because of their sinister nature, that I actually found quite stressful to read...." Read more
"...That said, there were too many words! It's very long winded in places and at times, I was tempted to skip a few pages but I knew that this risked..." Read more
"...It is quite long but there seem to be no exceeding parts...." Read more
"...The pace is slow, the book is long, prepare to enjoy the details and appreciate long descriptions of the feelings and thoughts of the characters." Read more
Customers find the book's pace slow and dull. They say it seems to take forever to go anywhere.
"This may be a slow-going novel but its contents outweigh any classic I've read by the likes of Jane Austen and the Bronte sisters...." Read more
"...I just found it far too wordy and long-winded. It seemed to take forever to go anywhere...." Read more
"...The pace is slow, the book is long, prepare to enjoy the details and appreciate long descriptions of the feelings and thoughts of the characters." Read more
"...A good, interesting story but a little slow to start, then when the 'adventure' begins it really picks up the pace...." Read more
Reviews with images
One of the classics for a reason
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Top reviews
Top reviews from United Kingdom
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So what is the book about? I won't go into the plot in too much detail, as I don't want to spoil the fun for those of you who haven't read it yet. The story begins with drawing master Walter Hartright's meeting on a lonely London road with a mysterious woman dressed all in white who has escaped from an Asylum. The next day Walter takes up a teaching position at Limmeridge House in Cumberland where he finds that one of his students, Laura Fairlie, bears a striking resemblance to the woman in white...
The novel follows an epistolary style, meaning it is narrated by several different characters in turn, sometimes in the form of journal entries or letters. I love the way Collins gives each of his narrators a unique 'voice' - he really makes the characters come alive. Another thing I love about Wilkie Collins' writing is his sense of humour...some of the scenes involving Laura's hypochondriac uncle Mr Fairlie are hilarious!
Marian Halcombe, Laura Fairlie's sister, is one of my favourite female characters in literature. Contrary to the usual portrayal of 19th century women, she is a brave, intelligent, courageous person who on several occasions puts herself in danger in order to protect her sister Laura. Another great character is Count Fosco, one of the most unusual and memorable villains I've ever encountered in any book!
The Woman in White is an example of the genre known as sensation fiction - including elements such as forgery, identity theft and insanity. Although it was written in the 19th century it's as exciting and gripping as a modern day thriller. It's a long book but there's enough tension and suspense to keep the reader interested right through to the end. There are some classics that are a struggle to read but you persevere with them simply because they're classics and you feel as if you should. The Woman in White does not fall into that category - yes, it's a classic but it's also one of the most readable and enjoyable books I've ever read.
The book is constructed from several sources which gives a certain realism to the work.
The main characters of Marian and Walter are crafted elegantly with personalities that seem to leap from the page. The plight of the lovestruck Walter feels so hopeless at times and his agony at being parted from the innocent and beautiful Laura is more heart-wrenching than you would imagine. Marian, stoic and sensible, desperately tries to evade the villainous Sir Glyde's plans for her beautiful but almost child-like sister. However, there is always a sense that events will not end easily.
The novel is an interesting exploration into the conventions of marriage and it's financial benefits in the 19th Century, albeit in a more subtle manner than, for example, Pride and Prejudice. The subtlety is a great positive as Collins does not make any message he looks to impart, overbear the plot itself. Never fear though as "The Woman in White" doesn't just examine socio-political themes but is also a genuinely gripping mystery novel. I found myself shocked at two turn of events and actually had to stop reading, a certain sign that a book is truly well written.
It is certainly long at over 650 pages but investing your time is well worth it. The language is beautiful but relatively easy to read. It is not "flowery" or overwrought but quietly emotional.
Regarding the plethora of characters within the novel, Count Fosco, with his penchant for a variety of pets and his subsequent obsessive love, is an amusing protagonist despite his role and even the more minor characters like Pesca and Madame Rubelle are fully formed entities rather than mere words on a page.
I would certainly recommend "The Woman in White" as a different approach to a 19th Century romance which uses mystery and a subtle sense of unease to really alter your opinion of the genre.
Top reviews from other countries
The genre was labeled as “epistolary fiction” as well as “sensation fiction” (the last one is new to me).
If you decide to read this book, please keep in mind (at all times) that it was written in 1859/1860, and set in London, England, between 1849 & 1850.
Sexism, classism, xenophobia, racism and other behaviours were common and considered normal back then.
It does require some patience, but it’s an easy read. The last 30%, in my opinion, was riveting.
This is a book to be read in small doses, as it was originally intended (it was published through periodicals). I did contemplate reading different books between, but I was afraid that it would take me way longer to finish it, so I avoided all temptations (I could have easily read 5 books during the time it took me to read this one).
But the writing is superb!
This book critiques the gender and class inequalities of Victorian society and the narrative, which explores themes of identity, deception and justice is impeccable!
The storytelling is not very gripping because the development is very slow, but if you like that writing style, you are in for a treat.
I loved the structure of the book and the multiples POVs. It was so well constructed! A terrific concept for the era.
The characters are very interesting and strong, but it takes time to warm up to them.
The twists were clever and satisfying.
The audiobook narrated by Roger Rees, Rosalyn Landor, John Lee and Judy Geeson is an excellent option or complement (I did listen at the same time as I read the paperback - Oxford World’s Classic edition).
ebook - Oxford World’s Classic edition (Kobo): 1019 pages, 277 words
Paperback - Oxford World’s Classic edition (reissued 2008): 756 pages (cover to cover)
Audiobook (2009) narrated by Roger Rees, Rosalyn Landor, John Lee and Judy Geeson: 25h45min25sec (normal speed) - the audiobook is true to the book word by word, with no difference whatsoever. As I listened and read simultaneously, I can testify that, as for the story alone, not a single letter was omitted or added.