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How to Read Music in 30 Days: Music Theory for Beginners - with exercises & online audio (Practical Music Theory) Spiral-bound
Purchase options and add-ons
- Print length171 pages
- LanguageEnglish
- PublisherGeneric
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Pitch is how our ears determine how low or high musical notes are in relation to each other. Rhythm, on the other hand, is anything concerning the duration and timing of notes. It’s how we know when to play a note and precisely for how long.357 Kindle readers highlighted thisPopular highlight
By changing any of the three parts of this symbol we can notate different durations, which are better known in music as “note values” (as well as “time values”).283 Kindle readers highlighted thisPopular highlight
The actual time it takes to play a beat is determined by “tempo”. The word tempo is the musical term for pace or speed.214 Kindle readers highlighted this
Product details
- ASIN : B09KNY3NGN
- Language : English
- Spiral-bound : 171 pages
- Item Weight : 14 ounces
- Best Sellers Rank: #46,460 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Hi, I’m Matt! And I’ve been obsessed with music for many, many years. I’ve also been frustrated with it for as long as I can remember. For years I was discouraged and unable to connect the dots. I knew that it was in me to make music but I didn’t know how to do it often and how to do it well.
After 10+ years of researching everywhere, thousands of hours of learning and hundreds of expensive books, things started to click and the dots started to connect.
My goal is to help you connect those dots faster. Much faster. Don’t get me wrong – I don’t know everything. I learn things everyday and I hope to keep doing so forever. But with the right lessons, examples and exercises, you can have your frustrations and confusions resolved. I’ve seen it with hundreds of students!
Once you have the tools and the techniques, it’s up to you where to take your music.
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Top reviews from the United States
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Though I am familiar with the content in the first 9 days lessons, the author introduced the concepts in a very logical way and order that really helps connect the dots together for me. The other music theory book i used before just tells you what it is, but this book will tell you what and why it is the way it is. And the way he builds each lesson on top of the other to tell a whole story is just brilliant. Thank you so much for all the thoughts, efforts and intentions that you put into this work!
The complimentary online material includes additional contents from the author's blog, audio examples, listening challenges, answers to exercises and what's more there is a forum for you to ask questions. The author is very active answering questions and giving advice there. He is definitely very passionate about music as well as helping others to enjoy music. The book and the complementary online course are an immense value. Everything is so well organized and presented.
I've bought quite a few 30 day books before (like 30 days to draw or 30 days to play guitar), but never finished any of them. Looks like this may be the first time I finish a 30 day book. Will update after I am through.
Separated into three basic sections — rhythm, pitch, and expression — it takes you from the most basic "this is what a quarter note looks like" to increasingly more advanced (but still appropriate for beginners) lessons in understanding how to read, write, and hear the different aspects of music.
The structure and division of these concepts is well-paced and laid out. In each lesson, there are audio examples (which you're given a download link for when you get the book) which really help you understand the application of the concepts being discussed. Most of these are excerpts from well-known classical pieces. At the end of each lesson, there are written exercises (an answer key is provided in the download for these and the book's final test).
On many days, there are additionally "listening challenges" where you're given a set of excerpts (some included in the download, others you can look up on YouTube or elsewhere) and are asked to determine things related to the lesson, like whether each one is a march or a waltz. Later you're also encouraged to follow along with the piece's sheet music as you listen for certain things.
I found the exercises, audio, and listening challenges extremely helpful as I learn best with a combination of types of input — not just reading but writing, seeing, and hearing the music in action really helped cement the ideas for me.
Throughout the book, the author gives his email address and says to contact him at any time. I took him up on that and he was extremely responsive, even updating the book itself based on my question. If you're looking for a good way to learn or brush up on music notation and basic theory, this is a great intro.
Top reviews from other countries
The best way to use this book is to have your browser opened on the online companion (called "school of composition") and go through each lesson, listening to all the samples provided and going through the listening challenged and quizzes.
I suppose that the people wondering whether to buy this book or not are new to music and want to start somewhere, find a course or method that isn't too demanding or intimidating. But there is no such thing. Learning music is not like learning a new language, it is learning a new language and it requires effort, focus and dedication.
Some will find certain lessons in this book easy to understand and apply, others will have to go through them again and again.
But it's worth it and at the end of this book you will have fairly good knowledge of the basics of music theory and a solid well-rounded knowledge of how to read a music sheet. This is just one of many many books and courses you should go through in order to have a solid grasp of music, and the author's other book on music theory is the one I plan on reading next.
For me the real gem of this book were the audio samples that Matthew Ellul has picked as examples which are excerpts of a very wide variety of classical music pieces. This has truly awakened me to the depth and beauty of classical music, and that's all I've been listening to on my spotify.
To help embed the theory you are learning the author has included score reading challenges (the scores can all be found for free online). This has really improved my active listening and ability to hear subtleties in music. The book used in this way creates a solid practice link between music theory and ear training. This part of the book/course is over two hours of active listening.
Likewise playing music will improve. The way the material is explained I could make a solid connection between theory and my performance. One specific example is the discussion on syncopation. At the moment I’m working on Maple Leaf Rag and the explanation gave me a light bulb moment.
At the end of every chapter is a short quiz and at the very end is a course quiz. This helps to embed what you have learned before you move on further grounding your theory
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Because the book is self published the the need to pay for full publisher’s production costs were avoided and consequently the book is great value. I would imagine if it was produced by a publisher the cost would be at least twice what it is especially with the course that accompanies the book. Being self published there are some minor typos but nothing that affects the accuracy of the information. They are mostly of the kind where the text says ’10 examples’ and 8 examples are provided.
For me this book is a solid 5 stars and I was surprised to see people give it one star. I had a quick look to see why their experience differed to mine. Some people criticised the lack of author response to download issues. This may have been a past problem that has been resolved. The course to accompany the book has an active discussion board where you can post questions as you go through the book’s material. I always got a reply within 24 hours.
One person complained that the examples were of for a keyboard and not other instruments. I’m not a piano player (stringed instruments), however the linear pitch layout of the piano and white natural notes with black accented notes makes it a very clear tool for explanation that every musician can benefit from. It would be impossible to include examples for all instruments and only one chapter is piano specific when piano pedal marks were discussed.
In summary great a value and engaging book with a well thought out and supportive course which will help me with composition, appreciation and performance. This will definitely improve my enjoyment of listening to and playing music and isn’t that what it’s all about?