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Eye trauma and twisted family dynamics meet in the Japanese horror thriller ‘My Mother’s Eyes’. Read Sharai Bohannon’s review.
While ‘Senua’s Sage: Hellblade II’ is a journey worth taking, the highly anticipated sequel offers more spectacle than substance.
‘Kinds of Kindness’ shows us the full scope of human cruelty in a way that even some of the best horror films shy away from.
The Strangers: Chapter 1 is a generic and boring slasher with a fundamental misunderstanding of its source material.
We weigh in on ‘Run!’ and speak to the film’s failure to find its footing because the filmmakers seem too focused on paying tribute.
Does ‘Nightwatch: Demons Are Forever’ eclipse its predecessor? Or is it DOA? You can judge for yourself when it arrives on Shudder on May 17.
The last season of Evil is clever, strange, scary, and darkly funny in its assessment of the horror-filled present moment.
Liminal is just eerie and interesting enough to leave you wanting more time with this trio of paranormal investigators.
While a slight departure from her previous works, Alice Maio Mackay’s ‘Carnage For Christmas’ is a bloody and unabashedly queer good time.
From odes to the slasher genre to the main group’s chemistry, ‘Pretty Little Liars: Summer School is some of the best teen TV out there.
