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Bosley Crowther

Bosley Crowther

United States

(1905 - 1981)

Fahrenheit 451 (1966)

Publish Date: November 14, 2020
"A pretentious and pedantic production"

The New York Times
Jet Pilot (1957)

Publish Date: October 4, 2020
"[A] silly and sorry a film. We blush to tell you what is its story."

The New York Times
Hobson's Choice (1954)

Publish Date: June 14, 2020
"Delightful and rewarding (...) Laughton's characterization something more than a big bombastic bump. He has made it Falstaffian"

The New York Times
Jazz on a Summer's Day (1959)

Publish Date: March 28, 2020
"As generous a dish of top jazz music as any cat could take in one gulp."

The New York Times
Sabrina (1954)

Publish Date: September 22, 2019
"[It] is, in our wistful estimation, the most delightful comedy-romance in years. "

The New York Times
You Only Live Twice (1967)

Publish Date: October 13, 2015
"A bag of good Bond fun (...) shamelessly excessive"

The New York Times
The Queen of Spades (1949)

Publish Date: May 5, 2008
"Wild gypsy dancing, shadow lighting and an excellent musical score are well used for mood creation in this weirdly fascinating film"

The New York Times
All that Heaven Allows (1955)

Publish Date: March 24, 2006
"Solid and sensible drama plainly had to give way to outright emotional bulldozing and a paving of easy clichs (...) Rating: ** (out of 5)"

The New York Times
Samson and Delilah (1949)

Publish Date: March 24, 2006
"If you'll settle for gold-plated pageants, for muscular episodes and for graphic inducements to wolf-whistling, then 'Samson and Delilah' is for you"

The New York Times
Love Affair, or the Case of the Missing Switchboard Operator (1967)

Publish Date: May 20, 2005
"This is a charming picture, a subtle and sophisticated spoof of organized social education and of the modern-day sex comedy (...) Rating: *** (out of 5)"

The New York Times
Billion Dollar Brain (1967)

Publish Date: December 22, 1967
"The only things engaging about the picture are the scenery (...) and the cool, serene beauty of Miss Dorleac."

The New York Times
The Graduate (1967)

Publish Date: December 21, 1967
"One of the best seriocomic social satires we've had from Hollywood since Preston Sturges was making them (...) Devastating and uproarious"

The New York Times
Guess Who's Coming to Dinner (1967)

Publish Date: December 11, 1967
"A most delightfully acted and gracefully entertaining film"

The New York Times
The Fearless Vampire Killers (1967)

Publish Date: November 13, 1967
"For this beautifully produced, superbly scenic and excitingly photographed spoof of old-fashioned horror movies is as dismal and dead as a blood-drained corpse"

The New York Times
Cool Hand Luke (1967)

Publish Date: November 1, 1967
"What elevates this brutal picture above the ruck of prison films and into the range of intelligent contemplation of the ironies of life is a sharp script by Donn Pearce and Frank R. Pierson"

The New York Times
Wait Until Dark (1967)

Publish Date: October 26, 1967
"Once this build-up is accomplished (...) the shock and suspense of the situation hit the audience with almost the same force, I'd imagine, as they evidently hit [the protagonist]"

The New York Times
Closely Watched Trains (1966)

Publish Date: October 15, 1967
"The charm of his film is in the quietness and slyness of his earthy comedy, the wonderful finesse of understatements, the wise and humorous understanding of primal sex"

The New York Times
The Battle of Algiers (1966)

Publish Date: September 20, 1967
"An uncommonly dynamic picture (...) Amazing photographic virtuosity and pictorial conviction (...) It looks beyond any question to be an original documentary film"

The New York Times
The Exterminating Angel (1962)

Publish Date: August 21, 1967
"Buñuel stages this play with cumulating nervousness and occasional explosive ferocities (...) His canvas is too narrow and his social comment too plain to keep our interest fixed upon his people and their barren stewing for an hour and a half."

The New York Times
For a Few Dollars More (1965)

Publish Date: July 3, 1967
"Leone has filled his plushly colored screen and his deliberately calculated sound-track with conglomerate stimuli that agitate moods of dread and danger, of morbid menace and suspense"

The New York Times

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