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REVIEWS


Reviews

Carmel Bach Is Back, Very Refreshed

July 18, 2024 | Richard S. Ginel, Musical America
CARMEL-BY-THE-SEA, Ca.—The venerable Carmel Bach Festival has been operating more-or-less continuously since 1935, going dark only during World War II (1942-1945) and the COVID pandemic (2020). This cool, foggy outpost on the Pacific Rim … » Read
 

Reviews

The Case for Sondheim in the Concert Hall

July 17, 2024 | Susan Elliott, Musical America
A recent weekend afforded the rare opportunity to hear two Stephen Sondheim scores back-to-back, both orchestrated by his longtime colleague, Jonathan Tunick. With the same composer and orchestrator at their creative cores, you would think the … » Read
 

Reviews

At Aix: Two Triumphs, One Turkey

July 16, 2024 | Mark Valencia, Musical America
AIX-EN-PROVENCE— Prima la musica, dopo le parole as Richard Strauss affirmed in his last opera, Capriccio . ‘‘First the music, then the words.’’ In late 20th-century Europe, however, both composers and librettists … » Read
 

Reviews

Novel Double Bill: The Prisoner Meets the Medium

July 15, 2024 | Wynne Delacoma, Musical America
CHICAGO—Thank heaven for not-so-grand opera. Grand in the financial sense, that is. Of course who doesn’t thrill to a stage-filling Triumphal March or a lavishly hellish Nibelheim? But in recent months, local opera companies with … » Read
 

Reviews

At Ravinia: The Soloists Nearly Steal the Show

July 9, 2024 | Hannah Edgar, Musical America
HIGHLAND PARK, Ill.— A public service announcement is in order. Yes, the Ravinia Festival might be most famous as the summer home of the Chicago Symphony Orchestra, or as the site of the Steans Music Institute, the prestigious training … » Read
 

Reviews

Opera Holland Park Attempts Puccini's Edgar

July 8, 2024 | Clive Paget, Musical America
LONDON—If you’ve ever wondered what Puccini was up to between the success of Le Villi in 1884 and Manon Lescaut in 1893, the answer is… struggling. Edgar , his second opera, flopped in 1889. Revised, it fared better in 1888 and … » Read
 

Reviews

Making the Case for Opera-in-Concert: Orlando at the Barbican

July 3, 2024 | Clive Paget, Musical America
LONDON —Orlando is one of Handel’s finest Italian operas, full of good tunes and with a refreshingly simple plot offering excellent opportunities for five-star singers. Written in 1733 for the King's Theatre in London, a venue in … » Read
 

Reviews

(Real) Murder and Mayhem at the Opera

July 3, 2024 | Sarah Shay, Musical America
On June 27 reality tragically intruded on an evening devoted to fantasy—the Cincinnati Opera’s opening performance of Verdi’s La Traviata . As patrons were arriving 15 minutes before the curtain was to go up, a standoff between … » Read
 

Reviews

Alsop and NOI's Beethoven Nine, Enveloped by the Cathedral

July 3, 2024 | Taylor Grant, Musical America
On June 30 Marin Alsop, director of the National Orchestral Institute + Festival Philharmonic, combined her assemblage of musicians just beginning their careers with the Heritage Signature Chorale for a sold-out performance at the Washington … » Read
 

Reviews

Salonen Circles Back to Mahler 3 to Close SFS Season

July 2, 2024 | Steven Winn, Musical America
SAN FRANCISCO—With the symphony’s season clouded by Music Director Esa-Pekka Salonen’s startling decision to depart in the middle of next year, at the conclusion of his five-year contract, this June 28 concert at Davies Hall … » Read
 
 

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