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With his insights into acting and directing, Konstantin Stanislavski forged a definitive position in the development of 20th-century theatre, laying the groundwork for innovators such as Grotowski.
In which Prof. Smeliansky outlines the importance of Stanislavsky’s work in the history of Russian theatre, including Stanislavsky’s relation to Chekhov, Gordon Craig, Meyerhold and others.
This interview sees Jean Benedetti discussing some of the main precepts of Stanislavsky’s work, including Stanislavsky’s relation to Chekhov, Shchepkin, Meyerhold and others.
This film tells a story from anticipation to realisation. We see students explore and experience Stanislavsky’s system, which allows you, the viewer, a front row seat in seeing how acting works.
The Stanislavski Centre Annual Lecture sees a major international figure lecturing based upon their own expertise in the field of Stanislavsky studies every year – in this case, Anatoly Smeliansky.
Bella Merlin’s practical presentation uses Stanislavsky’s Six Fundamental Questions to contextualise a demonstration of ‘practice as research’ riffing off his work, as well as Maria Knebel’s.
Actor, director, teacher, author of six books and pioneer of ‘Active Analysis’, Maria Osipovna Knebel is arguably the most influential figure in 20th-century Russian theatre, after Stanislavski.
Bella Merlin is an actor, writer (of books and music) and Professor of Acting at the University of California, Davis. Her work combines acting processes, theatre history and practice-as-research.
The text is the actor’s starting and end point when creating a character, requiring a certain forensic analysis to transform the page into flesh-and-blood character. This process is often intuitive.
Theatre History aims to enlarge our understanding of theatre: the people, events and relationships involved in its development, the causes of change, and the ideas behind new forms of performance.
In which Prof. Smeliansky outlines the importance of Stanislavsky’s work in the history of Russian theatre, including Stanislavsky’s relation to Chekhov, Gordon Craig, Meyerhold and others.
The Stanislavski Centre Annual Lecture sees a major international figure lecturing based upon their own expertise in the field of Stanislavsky studies every year – in this case, Anatoly Smeliansky.
Michael Chekhov was a celebrated actor for directors including Stanislavski, Vakhtangov and Reinhardt. He developed a unique creative process that continues to inspire actors around the world.