This graph shows Tom Hardy’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
Although The Wild Robot began last weekend as the widest release, newcomer Smile 2 took the top spot at the weekend box office, compiling just over $23 million, and surpassing the former by $13 million in its first three days. Unfortunately for the sequel, it will fall short of a repeat, as Venom: The Last Dance waltzes into cinemas this weekend.
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Inside Out 2 was off and running at the domestic box office last weekend as the animated sequel over-performed most predictions (including ours), pulling in an outstanding $154.2 million in its opening three-day frame. Possibly even more impressive yet, the film has increased its daily box office since Monday, when it posted $22.42 million in earnings. The film took in $28.83 million on Tuesday and $30.1 million on Wednesday, the latter marking the third largest non-opening Wednesday at the box office of all time. Once again playing in 4,440 locations, the Pixar film should have no trouble staying atop the chart.
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Since its debut in early September, Shang-Chi and the Legend of the Ten Rings has enjoyed the limelight as the widest film, coupled with impressive numbers at the box office. For the first time, however, the Marvel film dips below the 4,000 theater mark, landing this week in 3,952 locations, which will likely be neck-and-neck with Cry Macho, which opened in 3,967 theaters last weekend and will probably stay at the same number (Warner Bros. is not releasing official counts at this time). New this week is the musical Dear Evan Hansen. The teen-drama starring Ben Platt follows a high schooler who, plagued with social anxiety, concocts a story to become closer to the family of a deceased classmate. Directed by Stephen Chbosky and based on the music stage play by Steven Levenson, Dear Evan Hansen debuts in 3,364 theaters. Also new in wide release this week is Courageous Legacy. The film from Sony Pictures is a re-release of the 2011 film, which contains the original storyline with an extended, remastered cut 10 years later. It arrives in 1,023 theaters across North America this weekend. Lastly, The Eyes of Tammy Faye, which debuted last week, expands to 1,352 locations this week.
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Venom is the biggest hit Sony released this year. However, it was absolutely savaged by critics. Were the critics right? Did the audiences see some quality critics didn’t? Or is the movie somewhere in the middle of those two extremes?
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September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin.
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There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made.
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It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Like the Best Supporting Actress, Best Supporting Actor is a two-horse race, making it one of the more competitive categories of the ones we are going to look at.
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The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
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2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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The Hunger Games: Mockingjay—Part 2 is about to record the most disappointing $100 million weekend ever, based on Sunday’s estimate from Lionsgate. Why disappointing? Because its $101.025 million projected opening follows the $158 million earned by Catching Fire on this weekend in 2013 (then the sixth-biggest weekend ever), and the $122 million debut of Mockingjay—Part 1 this weekend last year. That marks a decline of 20% or so from one installment of the franchise to the next, which is the worst performance of any franchise to have recorded a $100 million start. Global numbers tell a similar story: $247 million this weekend against Part 1’s $275 million. However, once we get that troubling statistic out the way, this is also a reason for celebration: $100 million domestically and $250 million globally in one weekend is still a huge amount of money, and caps a spectacularly successful franchise for Lionsgate.
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There are three or four films on this week's list vying for Awards Season Glory, but of these three, Carol has by far the best shot at picking up major nominations. In fact, it is considered a favorite for five major nominations, including Best Picture. Will it win any of these? Getting off to a fast start in limited release will help its chances.
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Mission: Impossible - Rogue Nation rocketed up the chart into first place with $91.3 million in 63 markets over the weekend... sort of. This includes $86.42 million during the film's six-day opening in China. Its three-day weekend number is a lot smaller than that, but still enough for first place. Overall, the film now has $424.8 million internationally and $612.9 million worldwide. It became only the second film in the franchise to reach the $600 million mark worldwide. This is more than enough to break even, so it should come as no surprise that there's another installment in the works.
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April is over and there was good news and bad news. Good news: Furious 7 crushed the competition, and broke records along the way. Bad news: Furious 7 crushed the competition and no other April release will earn as much in total as Furious 7 earned during its opening day. Fortunately, Furious 7 was so strong that it carried April of 2015 to a draw when compared to April of 2014. May has a lot of similarities to April. The Avengers: Age of Ultron is expected to break records during its opening weekend and even the low end has it earning more than $1 billion worldwide. Unfortunately, no other film is going to come close to that figure. There are five other films with a potential to reach $100 million at the box office. The keyword there is "potential". There's a chance less than half of those five films will get to that milestone. And like last April, last May had much better depth with five films that reached $100 million, including four that surpassed $200 million. Age of Ultron will earn more than the combined totals of Maleficent, last month's winner, and X-Men: Days of Future Past, which placed second for the month. I am a little concerned about the lack of depth this month and this could cause May to lose in the month-over-month comparison in the end.
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March ended on a good note and helped 2015 maintain its lead over 2014 thanks to a trio of $100 million movies: Cinderella, Insurgent, and Home. April isn't as strong as far as depth goes, as only Furious 7 is expected to come close to $100 million at the box office. On the positive side, it could earn $100 million during its opening weekend, becoming the fastest starting film of the year, so far. On the negative side, it is expected to earn more than double the rest of the films' combined box office totals. Even worse, last April, there were two $100 million hits, including Captain America: The Winter Soldier, as well as two others that came close. There's no way April 2015 is going to live up to April 2014. I just hope the collapse isn't so bad that 2015 loses its lead over 2014 completely.
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Locke is a movie starring Tom Hardy as a man driving his car. That's pretty much it. So how can this film be at all interesting? ... He has his cell phone with him. Seriously, one of the reasons I decided to give this movie a try was curiosity. It seemed like a difficult movie to get right, but the reviews are amazing. Do I agree with the critics? If so, how did they manage to get it to work?
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It is a busy week for limited releases, but most of the films are earning weak reviews. Several are earning reviews that would be good if they were opening wide, but not good enough to suggest they will thrive in limited release. There are a few of films with truly great reviews, including Blue Ruin, which not only has amazing reviews, but also earned a number of film festival awards. Both Last Passenger and Locke are also earning close to 90% positive reviews, but none of them really feel like limited release hits.
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This weekend is Thanksgiving and as always that means Black Friday and Cyber Monday plus 48 hours of shopping in-between. Unlike most years, I'm only halfway done with my Christmas shopping. So what recent, and not so recent releases are prime candidates for the perfect gift this year? Over the next month, we will go over several dozen possibilities with our annual Holiday Gift Guide, which is divided into into four sections. This week we start with Major Movie Releases. These are first run releases, franchise box sets, etc. However, before we get into the individual titles, we will start with an update on...
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