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Pop and rock
18 June 2024
‘The way they’ve been exploited is obscene’: the untold story of forgotten UK reggae heroes Cimarons
‘I had a lot of questions about myself’: Joni Mitchell’s psychological 70s quest and the ‘Me’ decade
17 June 2024
Other lives
Penny Henry obituary
Australian critic's picks
Critic’s pick: Hockey Dad, the surf-rock duo with surprising depth
‘The groove is infectious’: Bhangra-beat Euro 2024 anthem thrills Germany
Coldplay: vinyl copies of new album Moon Music will be made from old plastic bottles
Download festival review – the rock fest’s most cursed year ever
Club culture
From topping the 90s charts to ‘very controlled and predictable’ today: is the remix dead?
Swifties and academics debate Taylor Swift, from misogyny to millipedes
16 June 2024
Chaka Khan review – queen of funk sounds as majestic as ever
‘Hip-hop is the new avant garde’: John Cale on Lou Reed, anger and continual reinvention
15 June 2024
Kitty Empire's artist of the week
Beth Gibbons review – an unapologetically intense triumph
One to watch
One to watch: Aziya
14 June 2024
Barclays suspends sponsorship of Download, Latitude and Isle of Wight festivals
Sam Morton: Daffodils & Dirt review – actor’s intoxicating trip-hop debut
John Grant: The Art of the Lie review – grooving funk odyssey
Crowded House review – raucous spun-sugar pop perfection
John Cale: Poptical Illusion review – counterculture icon finds his fun side
Normani: Dopamine review – pop’s longest-awaited debut almost defeats the trolls
13 June 2024
Brash, insouciant, unfiltered: how Charli XCX made pop fun again
In a year of major releases from stars, the British singer has managed to come out on top with Brat: a catchy, internet-consuming album that captures a particular moment
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