It began with Dylann Roof. Since then, the Molotov cocktail of autism, inceldom (involuntary celibacy), gallantry, vengeance, and mass murder has exploded with such regularity that I keep dusting off a boilerplate article to condemn it whenever the perpetrators are connected with White Nationalism. But even with Roof’s case, I felt that I had seen... Read More

If movies can have previews, why can’t movie critics release “pre-reviews”? I ask because September 9th was the release date of the first trailer for the first half of Denis Villeneuve’s adaptation of Frank Herbert’s Dune. Dune is one of the most-anticipated movies of 2020. Trailers can build up a lot of excitement for a... Read More

Africa Addio (Goodbye Africa) (1966), co-directed, co-edited, and co-authored by Gualtiero Jacopetti and Franco Prosperi of Mondo Cane fame, is a must-see red-pill documentary for race-realists. Filmed between 1963 and 1965 in Kenya, Tanganyika, Zanzibar, Rwanda, Angola, the Belgian Congo, and South Africa, Africa Addio chronicles the exit of the British and Belgian colonial powers... Read More

American Pimp is a 1999 documentary directed by the Hughes Brothers, the half-black, half-Armenian twins who also directed Menace II Society and Dead Presidents. American Pimp fallen into obscurity and is now hard to find. But it deserves to be better-known, especially among race-realists. American Pimp is just under 90 minutes. It consists primarily of... Read More

What’s philosophical about Fight Club? Fight Club belongs alongside Network and Pulp Fiction in an End of History film festival, because it beautifully illustrates ideas about human nature, history, and culture from Hegel and Nietzsche—especially as read through the lenses of Alexandre Kojève and Georges Bataille. Prehistoric society is relatively egalitarian and focuses on the... Read More

Written by Paddy Chayefsky and directed by Sidney Lumet, Network (1976) is a sardonic, dark-comic satire of America at the very moment that its trajectory of decline became apparent (to perceptive eyes, at least). Network has an outstanding script and incandescent performances, which were duly recognized. Chayefsky won the Oscar for Best Screenplay. Peter Finch... Read More

Gattaca (1997) is a dystopian science fiction movie set sometime in the mid-21st century. Mankind is doing a lot of manned space exploration. Genetic engineering and zygote selection have eliminated major and minor genetic problems, from mental illness to baldness. As a smiling black man who works as a eugenics counselor explains to a pair... Read More

Anthony Minghella’s The Talented Mr. Ripley (1999) has been one of my favorite films since I saw it on the big screen while living in darkest Atlanta. A few years later, post-red pill, I bought the DVD and was struck anew at the brilliance of the script, performances, and direction. But I was also struck... Read More

2019 was the year of the “frustrated-white-loser-living-at- home-with-his-mom” movie. First there was Todd Phillips’ Joker, an origin story of Batman’s most memorable nemesis, starring Joaquin Phoenix as the clown himself. Then came Clint Eastwood’s Richard Jewell, the true story of a Georgia security guard who discovered the Centennial Olympic Park bomb in 1996. Jewell alerted... Read More