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Waterfalls (TLC song) - Wikipedia
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Waterfalls (TLC song)

"Waterfalls" is a song by American hip-hop group TLC, released by LaFace and Arista as the third single from their second album, CrazySexyCool (1994), in May 1995 in the United States, followed by a United Kingdom release on July 24, 1995.[4]

"Waterfalls"
Single by TLC
from the album CrazySexyCool
ReleasedMay 1995 (US)
July 1995 (UK)
Genre
Length4:40 (album version)
4:19 (single edit)
3:32 (no rap edit)
Label
Songwriter(s)
Producer(s)Organized Noize
TLC singles chronology
"Red Light Special"
(1995) 		"Waterfalls"
(1995) 		"Diggin' on You"
(1995)
Music video
"Waterfalls" on YouTube

Often considered one of the group's signature songs,[5][6] along with "No Scrubs", "Waterfalls" was an international hit, topping the charts in many countries. The song spent seven weeks at No. 1 on the Billboard Hot 100, giving the group their second US No. 1; it was the No. 2 song of the year on the Billboard 1995 year-end chart. "Waterfalls" also peaked at No. 1 in New Zealand, Switzerland and Zimbabwe while reaching the top 10 in several other countries, including Australia, Canada and the United Kingdom. "Waterfalls" received critical acclaim, earning two Grammy nominations at the 38th Annual Grammy Awards in 1996 for Record of the Year and Best Pop Performance by a Duo or Group with Vocal.

The song addresses the illegal drug trade, promiscuity, and HIV/AIDS. Jarett E. Nolan of BMG noted that "Waterfalls" was the first number-one song to refer to AIDS in one of its verses.[7] The song's music video, directed by F. Gary Gray, reflected its socially conscious lyrics via a million-dollar budget and became an MTV staple that boosted the song's success, staying atop the MTV Video Monitor chart for over a month (and making TLC the first act to do so) and winning four MTV Video Music Awards in 1995, including Video of the Year (making them the first African-American act to receive the trophy).

Background

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"Waterfalls" is an R&B song,[1] written by TLC band member Lisa "Left Eye" Lopes with Marqueze Etheridge and Organized Noize, who also produced the song. Rozonda "Chilli" Thomas and Tionne "T-Boz" Watkins perform the song with Lopes, who also provides a rap verse (which is removed from some edits). The members of TLC, as well as Debra Killings and Cee-Lo Green, provide background vocals, while the improvised bass line is provided by LaMarquis "ReMarqable" Jefferson.[8][9][10] Of Green's involvement, Watkins noted, "He was in Goodie Mob, we grew up together, we go way back. He (sang on the track) and it was amazing! I love his voice."[11] Green later recalled to The Guardian on March 22, 2008, "I was working at the same studio and of course I know the girls too, because we were on the same label, so they just asked me. I didn't realize at the time what a big song it was going to be."[12][6]

The song's lyrics refer to 1990s issues such as the HIV/AIDS epidemic and violence associated with the illegal drug trade.[13] Watkins said that it was important for the group to "get the message across without seeming like preaching."[14]

The TLC song shares elements with Paul McCartney's song of the same name, which opens with the line "Don't go jumping waterfalls, please keep to the lake." McCartney himself noted the resemblance, stating "In fact, somebody had a hit, a few years ago, using the first line...then they go off into another song. It's like, 'Excuse me?'"[15]

Lopes' rap expresses personal problems that she was dealing with at the time. She had a very turbulent relationship with Atlanta Falcons football player Andre Rison, and on June 9, 1994, she burned numerous pairs of Rison's newly purchased tennis shoes in his fiberglass bathtub, which set his entire $2 million mansion ablaze. She pled guilty to arson and was sentenced to five years of probation and a $10,000 fine, but eventually reconciled with Rison.[12]

Critical reception

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"Waterfalls" received universal critical acclaim from music critics. J.D. Considine from The Baltimore Sun described it as "tuneful and intoxicating".[16] Entertainment Weekly viewed it as a "Prince-inspired ballad" that "hint[s] at the artistic greatness TLC might achieve if freed from commercial concerns".[17] Simon Price from Melody Maker felt the song "is worthy of the symbolic sex dwarf himself."[18] In a separate review, Price named it Single of the Week, writing, "'Waterfalls' is nothing we haven't already heard in 'Sign O' the Times' or 'The Message': a cautionary, moral tale about a bad livin' young brother who upsets his mom by gangbanging and ends up with Aids, and personally, I left all that behind with Aesop's fables. I'm more interested in the sonics here, the opulent Paisley Park-ish production, the way the freeze-dried, shrink-wrapped street soul beats are wickedly at odds with T-Boz's languorous, husky vocals and Left Eye and Chilli's river-of-clear-honey harmonics."[19] A reviewer from Music Week gave it four out of five, calling it "yet another radio-friendly hit", remarking that "TLC swap wackiness for a more mature affair".[20]

James Hamilton from the Record Mirror Dance Update deemed it a "slinkily croaking and cooing girls' US smash rolling slow sombrely worded message song".[21] Charles Aaron from Spin described it as "a Princely cautionary groove, in which pop's most intriguing trio offers a more harshly vivid portrait—that of a loved one (who should have known better) gone wanna-be dopeman. When T-Boz croons, "She gives him loving that his body can't handle / But all he can say is baby it's good to me", her resigned frustration is palpable. And every time Left Eye raps, "Dreams are hopeless aspirations in hopes of comin' true", I wince a little."[22] Nigel Butler of Sputnikmusic compared it to esteemed artists such as Sly and the Family Stone, Ray Charles and Stevie Wonder.[23] Butler wrote, "The arrangement and instrumentation is absolutely fantastic - if a bunch of great melodies had an orgy, the result would something a little like this - and the lyrics are the best on an album that maintains a shockingly high standard of songwriting. Left-Eye drops the album's best rap on this track too."[23]

The song was nominated for two Grammys at the 1996 Grammy Awards: Record of the Year and Best Pop Performance by a Duo or Group with Vocal. Billboard named it No. 11 on their list of "100 Greatest Girl Group Songs of All Time".[24] It was also ranked 13th in VH1's "100 Greatest Songs of the Past 25 Years" and 8th on VH1's "100 Greatest Songs of the 1990s".[25] In 2010, Billboard awarded the song the top position of summer songs in 1995.

Music video

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The accompanying music video for "Waterfalls", directed by American director and producer F. Gary Gray and filmed at Universal Studios Hollywood from June 8–9, 1995, visualizes the two verses of the song, particularly during extended instrumental breaks after each verse:

  • An inner-city teen (played by Shyheim) ignores the pleas of his mother (played by Ella Joyce) to quit selling drugs; her spirit stands in front of him silently begging him to stop, but he is shot dead by a rival dealer (played by Bokeem Woodbine) as he is about to make a sale on a street corner. At the end of the video, the dead teen's own spirit is futilely trying to embrace his mother as she walks down the street, but as she can no longer see him, she walks through his ghostly form each time.
  • A woman (played by Gabrielle Bramford) eschews protection as she and her boyfriend (played by Paul J. Alessi) have sex. Over time, looking in a mirror, he notices that his face shows early symptoms of AIDS. A small twin photo frame nearby shows her picture in the left while a rapid montage of all her previous lovers flashes in the right. At the end, the two wordlessly sit at the edge of her bed as the man and his picture both fade away; the woman briefly sits alone until she and her picture also fade away, after which the unused condom appears in front of the now-empty frames.

The video also intercuts scenes of liquefied versions of TLC performing to the song while standing atop an ocean and performing in front of a real waterfall. Watkins later admitted that filming the group's scenes atop an ocean was very frightening, as they were standing on an unstable plastic platform and she was unable to swim;[26] she recalled, "I thought I was gonna fall in. That’s why my feet are planted wide and still. You never see my feet move ever. You couldn’t move to the front or back, you could only go side to side." The numerous computer-generated effects were created by the visual design company Homer & Associates, which used motion capture technology to generate the images. The company used the same technique in their previous work on the video for "Steam" by Peter Gabriel and in the 1992 movie The Lawnmower Man.[12]

In an interview with Billboard in 2021, Thomas explained that when discussing the video with Gray, she imagined the trio performing as water spirits, similar to the 1989 James Cameron movie The Abyss; Watkins conceptualized the storylines described in the verses, while Lopes pictured the trio traversing through outer space, passing planets before arriving on Earth; Gray modified Lopes' idea to show the trio coming straight from the sky.[12][27]

As Clive Davis, the president of Arista at the time, initially disliked the song,[26] TLC had to force their mentor L.A. Reid to convince Davis to allow release as a single and promotion for the song as well as the budget for the music video;[12][14] the video went on to win four awards at the 1995 MTV Video Music Awards: Video of the Year, Best Group Video, Best R&B Video, and the Viewer's Choice Award. Watkins stated in retrospect that the "video spoke for a whole epidemic."[11]

Live performances

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The song was performed at many awards shows, including the 1995 MTV Video Music Awards and the 1996 Grammy Awards. The group performed "Waterfalls" at the 1995 MTV Movie Awards wearing black tops and silver pants. The performance "was theatrical and kept true to the lyrical story."[28] They also performed the song at MTV's 20th Anniversary on August 1, 2001, making it Left Eye's final performance with the group before her death. In September 1995, TLC performed "Waterfalls" in a medley with "Creep" and "Diggin' on You" on the British TV chart show Top of the Pops, aired on BBC One in the United Kingdom.

Remaining members T-Boz and Chilli performed the song along with Alicia Keys and fellow girl groups En Vogue and SWV at the 2008 BET Awards. Thomas and Watkins appeared on Good Morning America on October 15, 2013, to perform the song during promotion for the greatest hits 20 and the VH1 biopic CrazySexyCool: The TLC Story.[29]

On November 24, 2013, TLC performed at the 2013 American Music Awards with special guest Lil Mama, who performed Left Eye's rap as a tribute to her.

Legacy

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In December 1995, NME ranked "Waterfalls" number 10 in their list of "NME Writers' Top 50 Singles of 1995".[30] About.com included it in their ranking of "The Best 100 Songs From the 1990s" in 2019. Bill Lamb stated that "slinky, gently insistent backing horns and guitar combine with smooth, languid vocals to create an instant R&B classic." He also felt that the song is "a disturbing commentary on street violence and its impact on the lives of young black men."[31] Same year, Daryl McIntosh from Albumism said it is "a rare example of perfect production, poignant songwriting, and flawless vocal delivery." McIntosh added, "The lyrics offer cautionary tales of the allure of street life and uncontrolled sexual exploration. Interwoven by the melodic chorus".[32] AllMusic's Stephen Thomas Erlewine wrote that "Waterfalls, "with its gently insistent horns and guitar lines and instantly memorable chorus, ... ranks as one of the classic R&B songs of the '90s."[33] Christine Werthman from Complex wrote that it "is drenched in water-droplet synth notes, live drums, rising horns, and a bass line that walks wherever it pleases." She noted that "it's a heavy song, but the warnings in the verses are buoyed by a rich, singable chorus, which certainly helped it get radio play."[34]

Jeff Benjamin of Fuse felt that the track was "far more than just another pop hit: The track told a cautionary tale of HIV and AIDS, and its video depicted a man who didn't wear a condom with his girlfriend and later watched his body degenerate in the mirror."[11] Sputnikmusic's Butler asserted that "any list of the best singles of the 90s that does not include this in the top 15 — at least — is among the worst lists ever written."[23] Australian music channel Max placed the song at No. 196 on their list of "1000 Greatest Songs of All Time" in 2012.[35] In 2017, Paste ranked the song number two on their list of the 10 greatest TLC songs,[36] and in 2022, The Guardian ranked the song number one on their list of the 20 greatest TLC songs.[37] In October 2023, Billboard magazine ranked it among the "500 Best Pop Songs of All Time".[3]

After Lopes' tragic death in a car crash in La Ceiba, Honduras on April 25, 2002, the lyrics to her verse were engraved upon her casket.[12]

Accolades

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Year Publisher Country Accolade Rank
1995 NME United Kingdom "NME Writers' Top 50 Singles of 1995"[30] 10
1995 Spin United States "The 20 Best Singles of 1995"[38] 3 (with "Creep")
2005 Blender United States "The 500 Greatest Songs Since You Were Born"[39] 415
2005 Bruce Pollock United States "The 7,500 Most Important Songs of 1944-2000"[40] *
2012 Complex United States "The Best 90s R&B Songs" 40
2012 Max Australia "1000 Greatest Songs of All Time" 196
2012 Porcys Poland "100 Singli 1990-1999"[41] 42
2015 Robert Dimery United States "1,001 Songs You Must Hear Before You Die, and 10,001 You Must Download (2015 Update)"[42] *
2017 Billboard United States "100 Greatest Girl Group Songs of All Time" 10
2019 Billboard United States "Billboard's Top Songs of the '90s"[43] 29
2020 Cleveland.com United States "Best Billboard Hot 100 No. 1 Song of the 1990s"[44] 2
2020 Glamour United States "53 Best ’90s Songs That Are All That and a Bag of Chips"[45] 37
2021 BuzzFeed United States "The 50 Best '90s Songs of Summer"[46] 3
2021 Rolling Stone United States "500 Greatest Songs of All Time"[47] 127
2022 Time Out United States "50 Best '90s Songs"[48] 10
2023 Billboard United States "Best Pop Songs of All Time"[3] 267
2024 Forbes United States "The 50 Best Songs of the 1990s"[49] 7
2024 Time Out United States "50 Best '90s Songs"[50] 5

(*) indicates the list is unordered.

Awards

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Year Organization Award Result
1995 MTV Europe Music Award Best Song Nominated
MTV Video Music Award Video of the Year Won
Best Group Video Won
Best R&B Video Won
Best Direction Nominated
Best Visual Effects Nominated
Best Art Direction Nominated
Best Editing Nominated
Best Cinematography Nominated
Viewer's Choice Won
Breakthrough Video Nominated
1996 Grammy Award Record of the Year Nominated
Best Pop Performance by a Duo or Group with Vocals Nominated
Soul Train Music Awards Best Song of the Year Nominated
Best Video of the Year Won
Best R&B/Soul Single – Group, Band or Duo Won
1996 NAACP Image Awards Outstanding Music Video Won

Track listings

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Charts

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Certifications

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Region Certification Certified units/sales
Australia (ARIA)[114] Platinum 70,000^
Canada (Music Canada)[117] Platinum 80,000‡
Denmark (IFPI Danmark)[118] Gold 45,000‡
Germany (BVMI)[119] Gold 250,000^
New Zealand (RMNZ)[120] Platinum 10,000*
Norway (IFPI Norway)[121] Platinum  
United Kingdom (BPI)[122] Platinum 600,000‡
United States (RIAA)[124] Platinum 1,200,000[123]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

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Region Date Format(s) Label(s) Ref.
United States May 22, 1995
  • 7-inch vinyl
  • 12-inch vinyl
  • CD
  • cassette
 LaFace [citation needed]
Sweden July 10, 1995 CD
[125]
Japan July 21, 1995 LaFace [126]
United Kingdom July 24, 1995
  • 12-inch vinyl
  • CD
  • cassette
  • LaFace
  • Arista
 [4]

Bette Midler version

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"Waterfalls"
Single by Bette Midler
from the album It's The Girls!
ReleasedJanuary 21, 2015
GenrePop
Length3:23
Label
Songwriter(s)
Producer(s)
Bette Midler singles chronology
"Be My Baby"
(2014) 		"Waterfalls"
(2015) 		"One Fine Day"
(2014)

"Waterfalls" was recorded by singer and actress Bette Midler for her fourteenth album, It's The Girls! (2014). The track was made into a ballad and has a much slower tempo and its production is stripped down with a piano and a soft drum beat echoing in the background. Midler's cover does not include the rap part of the song.

Stooshe Version

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British girl band Stooshe recorded “Waterfalls” in November 2012. The band turned the track's rap, performed by Lisa Lopes, into a three-part harmony. A music video was released alongside the recording, which included a cameo from the two surviving members of TLC, Rozonda Thomas and Tionne Watkins.[127] The music video featured Stooshe in a warehouse, standing on the top of a stage made of graffitied scaffolding. A group of modern and breakdancers performed below, acting out the storyline of the lyrics. Coloured water was used during the music video, and was sprayed over the set and dancers during the chorus of the song. Green Screen technology was also used on some of the lower scaffolding, to make it look like the graffiti was moving.[128] Stooshe later “disowned” their cover of Waterfalls, claiming that recording their version of the song wasn’t their decision, and “wasn’t supposed to happen.”[129]

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The song was referred to in the film The Other Guys as one of many references to songs by TLC made by one of the characters. Thomas and Watkins rerecorded "Waterfalls" with Japanese pop and R&B singer Namie Amuro in 2013 for the song's twentieth anniversary.[130] The song peaked at No. 12 on Japan's Hot 100 chart. That same year, the song was referred to in the film We're the Millers as Will Poulter performs Lopes's rap.[131] The song also appears in the film's end credits. In 2015, the horror-comedy show Scream Queens featured the song in the pilot and is referred to numerous times in other episodes. It appears in the 2019 Marvel Studios film Captain Marvel, which is set in 1995,[132] and in the 2009 film Couples Retreat.[12]

References

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Bibliography

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  • The Billboard Book of Number 1 Hits (fifth edition)
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