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'''Barbara M. Zucker''' (born 1940) is an American artist known for her sculpture. {{As of|2018}} she was Professor Emerita, University of Vermont,<ref>{{cite web |title=Publications and Creative Works 2018 |url=https://www.uvm.edu/sites/default/files/Division-of-Enrollment-Management/2018Publications_Web.pdf |publisher=University of Vermont |accessdate=April 30, 2020 |page=2}}</ref> and based in [[Burlington, Vermont]].
'''Barbara M. Zucker''' (born 1940) is an American artist known for her sculpture. {{As of|2018}} she was Professor Emerita, University of Vermont,<ref>{{cite web |title=Publications and Creative Works 2018 |url=https://www.uvm.edu/sites/default/files/Division-of-Enrollment-Management/2018Publications_Web.pdf |publisher=University of Vermont |accessdate=April 30, 2020 |page=2}}</ref> and based in [[Burlington, Vermont]].


Born in [[Philadelphia]], Zucker received a Bachelor of Science degree at the [[University of Michigan]] before receiving a Master of Arts from [[Hunter College]].<ref name="Brooklyn Museum">{{cite web |title=Barbara Zucker |url=https://www.brooklynmuseum.org/eascfa/about/feminist_art_base/barbara-zucker |website=Brooklyn Museum |access-date=26 January 2022}}</ref> She has taught at [[La Guardia Community College]]; [[Fordham University]]; [[Philadelphia College of Art]]; the [[University of Vermont]] as a professor on the studio art faculty from 1979, being chair of the Department of Art from 1979 to 1985; and [[Yale University]]. She has served as an artist-in-residence at [[Florida State University]] and [[Princeton University]]. Zucker began a series of works based on the shape of chairs in the 1960s; the following decade saw her move into [[installation art]]. She has since come to explore fan shapes, and more recently began to create works with motors. She is a [[National Endowment for the Arts]] Fellow for 1975, and was awarded a fellowship from ''[[Reader's Digest]]'' in 1990 to work in Giverny. She has had numerous solo shows, and co-founded the [[A.I.R. Gallery]], the first women's co-operative gallery in the U.S., in New York City in 1972. From 1974 to 1981 she was an editorial assistant at ''[[Art News]]'', and she has written for that publication, ''[[The Village Voice]]'', ''[[Art Journal (College Art Association journal)|Art Journal]]'', and ''[[Women's Studies]]''. Her work may be found in numerous private and corporate collections.<ref name="HellerHeller2013">{{cite book|author1=Jules Heller|author2=Nancy G. Heller|title=North American Women Artists of the Twentieth Century: A Biographical Dictionary|url=https://books.google.com/books?id=AYxmAgAAQBAJ&pg=PR11|date=19 December 2013|publisher=Routledge|isbn=978-1-135-63882-5}}</ref><ref>{{cite journal|last1=Schlegel|first1=Amy Ingrid|title=Barbara Zucker's Beauty Myths|journal=Sculpture|date=December 1997|volume=16|issue=10|url=http://www.sculpture.org/documents/scmag97/zucker/sm-zuckr.shtml}}</ref> as well as the [[Whitney Museum of American Art]].<ref name="Whitney">{{cite web |title=Barbara Marion Zucker {{!}} Untitled |url=https://whitney.org/collection/works/3410 |website=Whitney Museum of American Art |access-date=26 January 2022 |language=en}}</ref>
Born in [[Philadelphia]], Zucker received a Bachelor of Science degree at the [[University of Michigan]] before receiving a Master of Arts from [[Hunter College]].<ref name="Brooklyn Museum">{{cite web |title=Barbara Zucker |url=https://www.brooklynmuseum.org/eascfa/about/feminist_art_base/barbara-zucker |website=Brooklyn Museum |access-date=26 January 2022}}</ref> She has taught at [[La Guardia Community College]]; [[Fordham University]]; [[Philadelphia College of Art]]; the [[University of Vermont]] as a professor on the studio art faculty from 1979, being chair of the Department of Art from 1979 to 1985; and [[Yale University]]. She has served as an artist-in-residence at [[Florida State University]] and [[Princeton University]]. Zucker began a series of works based on the shape of chairs in the 1960s; the following decade saw her move into [[installation art]]. She has since come to explore fan shapes, and more recently began to create works with motors. She is a [[National Endowment for the Arts]] Fellow for 1975, and was awarded a fellowship from ''[[Reader's Digest]]'' in 1990 to work in Giverny. She has had numerous solo shows, and co-founded the [[A.I.R. Gallery]], the first women's co-operative gallery in the U.S., in New York City in 1972. From 1974 to 1981 she was an editorial assistant at ''[[Art News]]'', and she has written for that publication, ''[[The Village Voice]]'', ''[[Art Journal (College Art Association journal)|Art Journal]]'', and ''[[Women's Studies]]''. Her work may be found in numerous private and corporate collections,<ref name="HellerHeller2013">{{cite book|author1=Jules Heller|author2=Nancy G. Heller|title=North American Women Artists of the Twentieth Century: A Biographical Dictionary|url=https://books.google.com/books?id=AYxmAgAAQBAJ&pg=PR11|date=19 December 2013|publisher=Routledge|isbn=978-1-135-63882-5}}</ref><ref>{{cite journal|last1=Schlegel|first1=Amy Ingrid|title=Barbara Zucker's Beauty Myths|journal=Sculpture|date=December 1997|volume=16|issue=10|url=http://www.sculpture.org/documents/scmag97/zucker/sm-zuckr.shtml}}</ref> as well as the [[Whitney Museum of American Art]].<ref name="Whitney">{{cite web |title=Barbara Marion Zucker {{!}} Untitled |url=https://whitney.org/collection/works/3410 |website=Whitney Museum of American Art |access-date=26 January 2022 |language=en}}</ref>


Her image is included in the iconic 1972 poster [[Some Living American Women Artists (collage) | Some Living American Women Artists]] by [[Mary Beth Edelson]].<ref name="SAAM">{{cite web |title=Some Living American Women Artists/Last Supper |url=https://americanart.si.edu/artwork/some-living-american-women-artistslast-supper-76377 |website=Smithsonian American Art Museum |access-date=25 January 2022}}</ref>
Her image is included in the iconic 1972 poster [[Some Living American Women Artists (collage)|Some Living American Women Artists]] by [[Mary Beth Edelson]].<ref name="SAAM">{{cite web |title=Some Living American Women Artists/Last Supper |url=https://americanart.si.edu/artwork/some-living-american-women-artistslast-supper-76377 |website=Smithsonian American Art Museum |access-date=25 January 2022}}</ref>


==References==
==References==
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[[Category:1940 births]]
[[Category:1940 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:American women sculptors]]
[[Category:20th-century American sculptors]]
[[Category:20th-century American sculptors]]
[[Category:21st-century American sculptors]]
[[Category:21st-century American sculptors]]
[[Category:20th-century American women artists]]
[[Category:20th-century American women sculptors]]
[[Category:21st-century American women artists]]
[[Category:21st-century American women sculptors]]
[[Category:University of Michigan alumni]]
[[Category:University of Michigan alumni]]
[[Category:Cranbrook Academy of Art alumni]]
[[Category:Cranbrook Academy of Art alumni]]

Latest revision as of 23:25, 7 February 2024

Barbara Zucker
Born
NationalityAmerican
EducationHunter College
Known forSculpture
AwardsGiverny Fellowship, Lila Acheson Wallace Foundation, National Endowment for the Arts, Sculpture, The UCross Foundation, Yaddo, National Academy Museum Proctor Award.

Barbara M. Zucker (born 1940) is an American artist known for her sculpture. As of 2018 she was Professor Emerita, University of Vermont,[1] and based in Burlington, Vermont.

Born in Philadelphia, Zucker received a Bachelor of Science degree at the University of Michigan before receiving a Master of Arts from Hunter College.[2] She has taught at La Guardia Community College; Fordham University; Philadelphia College of Art; the University of Vermont as a professor on the studio art faculty from 1979, being chair of the Department of Art from 1979 to 1985; and Yale University. She has served as an artist-in-residence at Florida State University and Princeton University. Zucker began a series of works based on the shape of chairs in the 1960s; the following decade saw her move into installation art. She has since come to explore fan shapes, and more recently began to create works with motors. She is a National Endowment for the Arts Fellow for 1975, and was awarded a fellowship from Reader's Digest in 1990 to work in Giverny. She has had numerous solo shows, and co-founded the A.I.R. Gallery, the first women's co-operative gallery in the U.S., in New York City in 1972. From 1974 to 1981 she was an editorial assistant at Art News, and she has written for that publication, The Village Voice, Art Journal, and Women's Studies. Her work may be found in numerous private and corporate collections,[3][4] as well as the Whitney Museum of American Art.[5]

Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson.[6]

References[edit]

  1. ^ "Publications and Creative Works 2018" (PDF). University of Vermont. p. 2. Retrieved April 30, 2020.
  2. ^ "Barbara Zucker". Brooklyn Museum. Retrieved 26 January 2022.
  3. ^ Jules Heller; Nancy G. Heller (19 December 2013). North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. ISBN 978-1-135-63882-5.
  4. ^ Schlegel, Amy Ingrid (December 1997). "Barbara Zucker's Beauty Myths". Sculpture. 16 (10).
  5. ^ "Barbara Marion Zucker | Untitled". Whitney Museum of American Art. Retrieved 26 January 2022.
  6. ^ "Some Living American Women Artists/Last Supper". Smithsonian American Art Museum. Retrieved 25 January 2022.