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Corrected a mistake. This guy is not a Spanish writer bc he’s not from Spain. He writes in Spanish.
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=== ''Ways of Going Home'' ===
=== ''Ways of Going Home'' ===
His most recent novel in 2013, ''Ways of Going Home'' is a fictional novel but draws heavily on Zambra's childhood experience under the Pinochet dictatorship. The novel switches between the memory of a nine-year-old boy growing up during a restrictive dictatorship and the life of the narrator who is writing the story, an example of meta-writing, or writing about writing. "This small novel contains a surprising vastness, created by its structure of alternating chapters of fiction and reality," [[Adam Thirlwell]] writes in [[The New York Times]]. "Almost every miniature event or conversation is subject to a process of revision, until you realize that Zambra is staging not just a single story of life under political repression, but the conditions for telling any story at all."<ref>{{Cite news|url=https://www.nytimes.com/2013/03/31/books/review/ways-of-going-home-by-alejandro-zambra.html|title=By Night in Chile|last=Thirlwell|first=Adam|date=29 Mar 2019|work=The New York Times|access-date=2018-11-19|language=en}}</ref>
His [[2013 in literature|2013]] novel ''Ways of Going Home'' is fictional but draws heavily on Zambra's childhood experience under the Pinochet dictatorship. The novel switches between the memory of a nine-year-old boy growing up during a restrictive dictatorship and the life of the narrator who is writing the story, an example of meta-writing, or writing about writing. "This small novel contains a surprising vastness, created by its structure of alternating chapters of fiction and reality," [[Adam Thirlwell]] writes in [[The New York Times]]. "Almost every miniature event or conversation is subject to a process of revision, until you realize that Zambra is staging not just a single story of life under political repression, but the conditions for telling any story at all."<ref>{{Cite news|url=https://www.nytimes.com/2013/03/31/books/review/ways-of-going-home-by-alejandro-zambra.html|title=By Night in Chile|last=Thirlwell|first=Adam|date=29 Mar 2019|work=The New York Times|access-date=2018-11-19|language=en}}</ref>


==Bibliography==
==Bibliography==

Revision as of 08:42, 25 October 2022

Alejandro Zambra
https://www.google.com/imgres?imgurl=https%3A%2F%2Fwww.irishtimes.com%2Fpolopoly_fs%2F1.2187841.1429879107!%2Fimage%2Fimage.jpg_gen%2Fderivatives%2Fbox_620_330%2Fimage.jpg&imgrefurl=https%3A%2F%2Fwww.irishtimes.com%2Fculture%2Fbooks%2Falejandro-zambra-i-write-because-i-need-to-feel-i-m-not-dead-1.2187848&docid=pzw4qVPBKt3niM&tbnid=wvDzGho2-DnS5M%3A&vet=10ahUKEwjD8YPZuqLeAhWvmuAKHRcqA_wQMwhDKAQwBA..i&w=620&h=330&client=safari&bih=782&biw=1357&q=alejandro%20zambra&ved=0ahUKEwjD8YPZuqLeAhWvmuAKHRcqA_wQMwhDKAQwBA&iact=mrc&uact=8
Alejandro Zambra at the 2015 National Book Festival
BornSeptember 24, 1975
Santiago, Chile
OccupationWriter
LanguageSpanish
NationalityChilean
CitizenshipChilean
Alma materUniversity of Chile, Pontifical Catholic University
Notable worksBonsái (2006), Formas de volver a casa (2011)
Notable awardsAltazor Award, Prince Claus Awards[1]
SpouseJazmina Barrera
Children2

Alejandro Andrés Zambra Infantas (Santiago, Chile, b. September 24, 1975) is a Chilean poet, short story writer and novelist. He has been recognized for his talent as a young Latin American writer, chosen in 2007 as one of the "Bogotá39" (the best Latin American writers under the age of 39) and in 2010 by Granta as one of the best Spanish-language writers under the age of 35.[2]

Early life and education

Alejandro Zambra was raised in 1975 in Maipú, Chile, a suburb of Santiago, during the dictatorship of Augusto Pinochet. In a magazine interview with his close friend from his Master's program, Zambra explains his thoughts on growing up in Chile during the 1970s and 1980s. Growing up in such a time, Zambra considers himself and his generation, "children of the dictatorship." He later describes how his life changed after Pinochet's end of power, "The nineties were a time of smudging out. The dictatorship tried to impose all of those stupid discourses, and those discourses erased us."[3]

Zambra studied at the Instituto Nacional General José Miguel Carrera and the University of Chile, from which he graduated in 1997 with a degree in Hispanic literature. He won a scholarship to pursue postgraduate studies in Madrid, where he obtained an MA in Hispanic studies.[3] Back in Chile, he received a PhD in literature from the Pontifical Catholic University.[4]

Career

Zambra describes the beginning of his writing career as, "I wouldn’t choose to be a writer. Actually I don’t think I ever chose it, I was just undeniably worse at other things."[5] Zambra began with writing poetry, citing influences such as Nicanor Parra, Jorge Teillier, Gonzalo Millán, and Enrique Lihn, and his brief novels are noted for their poetic natures.[6] He is often noted for his successful use of metafiction, or writing about writing, in his novels. Short stories and articles by Zambra have been featured in magazines such as The New Yorker, The Paris Review, McSweeney's Quarterly Concern, Babelia, and Quimera.[7] Zambra also has worked as a literary critic for the newspaper La Tercera and as a professor at the School of Literature at Diego Portales University in Santiago.[8]

Bonsái

Zambra's first novel, Bonsái, attracted much attention in Chile[9] and appeared in the Spanish Editorial Anagrama, which was awarded the Chilean Critics Award for best novel of the year in 2006. As the highly influential Santiago newspaper El Mercurio summed up, "The publication of Bonsai ... marked a kind of bloodletting in Chilean literature. It was said (or argued) that it represented the end of an era, or the beginning of another, in the nation's letters."[10] Bonsái was eventually translated into several languages, such as English at Melville Publishing House by Carolina Robertis. Just five years later, the book was turned into a film of the same name[11] directed by Christían Jiménez, and presented at the Cannes Film Festival in 2011.[12]

The Private Lives of Trees

In this second novel, a writer tells his stepdaughter a bedtime story called "The Private Lives of Trees" (same title as the novel), which he plans to end when the mother returns home from work. This novel appears to be somewhat autobiographical, as the man in the story also has finished a book about bonsai trees, referencing Zambra's previous successful novel Bonsái.[13]

Ways of Going Home

His 2013 novel Ways of Going Home is fictional but draws heavily on Zambra's childhood experience under the Pinochet dictatorship. The novel switches between the memory of a nine-year-old boy growing up during a restrictive dictatorship and the life of the narrator who is writing the story, an example of meta-writing, or writing about writing. "This small novel contains a surprising vastness, created by its structure of alternating chapters of fiction and reality," Adam Thirlwell writes in The New York Times. "Almost every miniature event or conversation is subject to a process of revision, until you realize that Zambra is staging not just a single story of life under political repression, but the conditions for telling any story at all."[14]

Bibliography

Poetry

  • 1998 - Bahía Inútil, poems 1996–1998, Ediciones Stratis, Santiago, ISBN 978-956-288-147-0
  • 2003 - Mudanza, Santiago, Quid Ediciones.

Novels

  • 2006 - Bonsái, Barcelona, Anagrama.
  • 2007 - La vida privada de los árboles, Barcelona, Anagrama.
  • 2011 - Formas de volver a casa, Barcelona, Anagrama.
  • 2014 - Facsímil, Santiago, Hueders; Buenos Aires, Eterna Cadencia (2015); Madrid, Sexto Piso (2015).
  • 2020 - Poeta chileno, Barcelona, Anagrama.

Short stories

  • 2013 - Mis documentos (Anagrama, Barcelona), 11 stories, translated as My documents
  • 2022 - Skyscrapers (The New Yorker), translated by Megan McDowell

Criticism and essays

  • 2010 - No leer, compilation of critiques, Barcelona, Alpha Decay, 2012.
  • 2019 - Tema libre, compilation of short stories, essays, and chronicles, Barcelona, Anagrama.

Movies adaptions

English translations

Critical studies and reviews of Zambra's work

Not to read
  • Martin, Andrew (March 7–20, 2019). "A more personal Chile". The New York Review of Books. 66 (4): 8–11.

Awards

  • 2005 Literature-art award III for the poem Directions in collaboration with Sachiyo Nishimura
  • 2007 Critic of Chile Award for Bonsái (best novel of 2006)
  • 2007 National Council of Reading and Books Award for Bonsái (best novel of 2006)
  • 2007 Finalist for Altazor Prize for Bonsái
  • 2008 Finalist for Best Translated Book of the year for Bonsái
  • 2010 Best Young Spanish-Language Novelists as chosen by Granta
  • 2010 Finalist for Prix du Marais for The Private Lives of Trees
  • 2012 Altazor prize for Ways of Going Home (best narrative of 2011)
  • 2012 Nominated for an International IMPAC Dublin Literary Award for The Private Lives of Trees
  • 2012 Finalist for The Americas Award for Ways of Going Home
  • 2012 Finalist Medici Prize for Ways of Going Home (Secondary Persons)
  • 2012 National Council of Reading and Books Award for Ways of Going Home
  • 2013 Prince Claus Award
  • 2014 Miniciple Literature of Santiago Prize- general story for My Documents
  • 2014 Finalist for Hispanic-American Prize for Gabriel García Márquez story
  • 2015-2016 Cullman Center fellow at the New York Public Library

References

  1. ^ "2012 Principal Prince Claus awardees announced" (Press release). Prince Claus Fund for Culture and Development. Archived from the original on 2015-09-24. Retrieved November 13, 2013.
  2. ^ "Zambra, Alejandro - Editorial Anagrama". Editorial Anagrama (in European Spanish). Retrieved 2018-11-19.
  3. ^ a b "Alejandro Zambra on the Intimacy of Writing Tales of Love, and the Anhedonia After the Nineties - Extra Extra Magazine". Extra Extra Magazine. Retrieved 2018-11-18.
  4. ^ "Alejandro Zambra | The Short Story Project". www.shortstoryproject.com. Retrieved 2018-11-18.
  5. ^ "The TLS interview: Twenty Questions with Alejandro Zambra". www.the-tls.co.uk. Retrieved 2018-11-19.
  6. ^ Vidal, Juan (28 Feb 2014). "Image is Everything: An Interview with Alejandro Zambra" (Document). ProQuest 1648946088. {{cite document}}: Cite document requires |publisher= (help)
  7. ^ "Alejandro Zambra | The Short Story Project". www.shortstoryproject.com. Retrieved 2018-11-19.
  8. ^ "Interview with Alejandro Zambra - The White Review". www.thewhitereview.org. Retrieved 2018-11-19.
  9. ^ "Escritores cuentan cómo crean obras". Los Tiempos (in Spanish). August 25, 2007. Archived from the original on November 13, 2013. Retrieved November 13, 2013.
  10. ^ Valdes, Marcela (July 6, 2009). "Seed Projects: The Fiction of Alejandro Zambra". The Nation. Retrieved November 13, 2013.
  11. ^ Leo Nikolaidis. "Interview with Bonsai director Cristián Jiménez". Sounds and Colours. Retrieved April 10, 2012.
  12. ^ a b "Bonsai, from the Cinéfondation to Un Certain Regard". Festival de Cannes 2018. 2011-05-14. Retrieved 2018-11-18.
  13. ^ Curry, Ruth (2010). "Alejandro Zambra: The Private Lives of Trees". The Literary Review. Retrieved 19 Nov 2018.
  14. ^ Thirlwell, Adam (29 Mar 2019). "By Night in Chile". The New York Times. Retrieved 2018-11-19.
  15. ^ "Family Life" – via www.imdb.com.
  16. ^ "Bonsái" – via www.imdb.com.

Further reading

  • Manuel Clemens (2019). Chilean Childhood around 1990: Alejandro Zambra Intensifies the Past”. In: Bulletin of Contemporary Hispanic Studies, Issue 1, Vol. 1, pp. 15–30.
  • Bieke Willem (2015). “A Suburban Revision of Nostalgia : the Case of Ways of Going Home by Alejandro Zambra”. In: Ameel, L., Finch, J. & Salmela, M. eds. Literature and the peripheral city. Palgrave Macmillan. 184–197.
  • Bieke Willem (2013). “Desarraigo y nostalgia : el motivo de la vuelta a casa en tres novelas chilenas recientes”. Iberoamericana, 51(3), 139–157.
  • Bieke Willem (2012). “Metáfora, alegoría y nostalgia : la casa en las novelas de Alejandro Zambra”. Acta Literaria 45 (December) 25–42.
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