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Lo Ta-yu

From Wikipedia, the free encyclopedia

In this Chinese name, the family name is Lo.
Lo Ta-yu
Lo Ta-yu seated at a musical keyboard
Lo in 2011
Born (1954-07-20) 20 July 1954 (age 70)
Taipei, Taiwan
Occupation(s)Singer, songwriter
Years active1974–present
Spouses
Lee Lieh
​
​
(m. 1999; div. 2001)​
Elaine Lee
​
(m. 2010)​
PartnerSylvia Chang (1976-1985)
Children1
Awards
Hong Kong Film Awards – Best Original Film Score
1990 Eight Taels of Gold
1992 The Twin Bracelets
1993 The Heroic Trio

Golden Horse Awards – Best Original Score
1990 Red Dust

32nd Golden Melody Awards – Special Contribution Award
2021

Chinese name
Traditional Chinese羅ら大だい佑たすく
Simplified Chinese罗大佑たすく
Transcriptions
Standard Mandarin
Hanyu PinyinLuó Dàyòu
Yue: Cantonese
JyutpingLo4 Daai6-jau6
Musical career
Also known asLuo Dayou, Law Tai-yau
GenresRock, Mandopop, Folk, Blues, Reggae
Instrument(s)Vocals, guitar, piano, keyboards, bass guitar, accordion
LabelsRock Records
Websitewww.luodayou.net

Lo Ta-yu (Chinese: 羅ら大だい佑たすく; pinyin: Luó Dàyòu; born 20 July 1954), also known as Luo Dayou and Law Tai-yau, is a Taiwanese singer and songwriter. During the 1980s, Lo became one of the most influential Mandopop singer-songwriters with his melodic lyrics and love songs, and his witty social and political commentary that he infused in his more political songs, often to the point that some of his songs were suppressed in Taiwan and Mainland China during the 1980s.[1] He is recognized as a cultural icon in Taiwan, Hong Kong, and Mainland China.

Stylistically, Lo defies classification, though his contribution to the Taiwan campus folk song genre was most significant. His early music in particular shows strong folk roots, and many of his songs tap into native Taiwanese cultural influences. Some songs are reminiscent of 1950s American diner and soda shop rock, and others exhibit a 1970s lounge lizard growl. What captured the hearts of a generation, however, were his lyrics, touching on issues of life, attitudes, social responsibility, and the political problems of both Chinese Mainland and Taiwan with an underhandedly critical strain of dark humor. The lyrical style is not particularly artsy or complex, but rather conversational; the cleverness comes in the meaning, not how the words are put together.[2]

Life and career

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Lo was born in Taipei on 20 July 1954[3] to an upper-class family. He complied with his family's wishes to finish medical school by graduating from the China Medical College in Taichung, but decided to abandon a career as a physician to pursue a singing and songwriting career.[4]

In 1982, Lo released his debut album Zhī hū zhě yě (之これ乎者也), the title of which consists solely of grammatical particles from Classical Chinese. A ground breaking album that broadened the horizons of Chinese music and set a new model for Chinese songwriting, it spun off hits including not only the title song, but also Lukang, the Little Town (鹿しか港こう小しょう鎮), Love Song 1980 (戀こい曲きょく1980), and Childhood (童わらわ年ねん). Singing songs infused with brazen commentary on the social scene of Taiwan at that time and sporting sunglasses, his debut sparked buzz and heated discussion about the issues that his songs raised in Taiwan, such as Confucian pedantry and urban emptiness.

He followed with his next album in 1983, Master of the Future (未來みらい的てき主人しゅじん翁おきな), which features several songs: the title song which warns the listener of a future run by children without morals or humanity and 72 Transformations (現象げんしょう七なな十じゅう二に變へん), and Orphan of Asia (亞細亞あじあ的てき孤兒こじ) which shares its title with Wu Zhuoliu's novel about the Japanese occupation of Taiwan.

In 1985, inspired by the success of the charity single We Are the World by USA for Africa, Lo wrote Tomorrow Will Be Better (明天めいてん會かい更さら好このみ), a highly successful charity single of his own to celebrate the 40th anniversary of Taiwan's independence from Japanese colonial rule. It was ultimately performed by over 60 different artists from Taiwan, Hong Kong, Singapore, and Malaysia, including Tsai Chin, Chyi Chin, Chyi Yu, Sarah Chen, Eric Moo, Fei Yu-Ching, Angus Tung, and Jonathan Lee.

Lo fled Taiwan and political pressure on his artistic expression.[5]: 164  After a year in New York, he moved to Hong Kong in 1986.[5]: 163–164 

Lover/Comrade (愛人あいじん同志どうし) was Lo's next album, released in 1988. In addition to the title song which uses political slogans in the context of a love song, the album also included Love Song 1990 (戀こい曲きょく1990), one of his most famous love songs that was written 6 years after he had written Love Song 1980.

In 1991, he wrote Pearl of the Orient (東方とうほう之の珠たま), regarded as one of his most famous songs which sings praises to Hong Kong as a symbolic haven from the perils of the Pacific and implores Hong Kong not to lose its Chinese identity in the face of rapid modernization and British colonization at that time. In 2021 during the Communist Party of China's centenary, Pearl of the Orient was acknowledged as a significant patriotic song.[5]: 166  He also wrote "Queen's Road East" (皇后こうごう大道だいどう東ひがし), a 1991 Cantonese song he sang with Ram Chiang that satirizes the impending Hong Kong handover in 1997.

In 2004, Lo formally relinquished his US citizenship to protest the introduction of a resolution to the US House of Representatives requesting the deployment of Taiwanese marines to Iraq.[6] "[W]hen US representatives introduced a resolution requesting that Taiwan send marines to Iraq, I realized that while the US often stresses peaceful negotiations across the Taiwan Strait, the US government is the third party that stands in the way of truly peaceful negotiation," Lo said.[7]

On Sunday, 25 May 2008, at 7 pm PST, Lo held a live concert at San Jose State University Event Center. The concert, entitled "Join 'N Sing", was a celebration of the newly elected president of Taiwan, Ma Ying-jeou. There were three special guests at this show: Kao Ling Fung, Hsu Nai Ling, and Cindi Chaw Yong Hua. This show turned into a charity fundraiser for the earthquake victims of Sichuan, China.

Discography

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  • Zhi Hu Zhe Ye 之これ乎者也 (1982)
  • Master of the Future 未來みらい的てき主人しゅじん翁おきな (1983)
  • Home 家いえ (1984)
  • Pearl of the Orient 東方とうほう之の珠たま (1986/1991)
  • Youth Movement 青春せいしゅん舞曲ぶきょく (1986)
  • Lover-Comrade 愛人あいじん同志どうし (1988)
  • Brilliant Days 閃亮的てき日子にっし (1989)
  • The Year to Say Farewell 告別こくべつ的てき年代ねんだい (1989)
  • Queen's Road East 皇后こうごう大道だいどう東ひがし (1991)
  • Hometown 原鄉はらごう (1991)
  • Capital 首都しゅと (1992)
  • Love Song 2000 戀こい曲きょく二に〇〇〇 (1994)
  • 再會さいかい吧！素す蘭らん (Zài huì ba! Sù lán) (1995)
  • 寶島たからじま鹹酸甜 (Bǎodǎo xián suān tián) (1996)
  • 昨日きのう遗书 (Zuórì yì shū) (2002)
  • Beautiful Island 美麗びれい島とう (2004)
  • Home lll 家いえlll (2017)
  • Encore 安やす可か曲きょく (2022)

References

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  1. ^ Ong Sor Fern (2 December 2022). "Taiwanese singer Lo Ta-yu kicks off opening of Taipei Fine Arts Museum's new show | The Straits Times". www.straitstimes.com. Retrieved 23 January 2023.
  2. ^ Luo Dayou in Concert: Taiwan Singer-Songwriter an Inspiration to Mainland Musicians
  3. ^ "Lo Ta-you: Godfather of Mandarin Pop Music". Hakka Affairs Council. 15 April 2022.[dead link]
  4. ^ Mandopop: 40 Years of Chinese Popular Music and Culture, 23 May 2019, retrieved 23 January 2023
  5. ^ a b c Hu, Richard (2023). Reinventing the Chinese City. New York: Columbia University Press. ISBN 978-0-231-21101-7.
  6. ^ "Quarterly Publication of Individuals, Who Have Chosen to Expatriate, as Required by Section 6039G". Federal Register. 2 February 2005. Retrieved 23 July 2020.
  7. ^ "Pop singer gives up US citizenship". Taipei Times. 29 May 2004. Retrieved 14 December 2023.
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