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[- ^ a b Ananda Lal (2009). Theatres of India: A Concise Companion. Oxford University Press. pp. 423–424. ISBN 978-0-19-569917-3
- ^ MacDonell, A. A. (2004). A practical Sanskrit Dictionary. Delhi: Motilal Banarsidass, pages 15, 382-383
- ^ a b Ananda Lal (2009). Theatres of India: A Concise Companion. Oxford University Press. pp. 422–424. ISBN 978-0-19-569917-3
- ^ Sara Brown (2012), Every Word Is a Song, Every Step Is a Dance, PhD Thesis, Florida State University (Advisor: Michael Bakan), pages 25-26, 87-88, 277
- ^ Alanna Kaivalya (2014). Sacred Sound: Discovering the Myth and Meaning of Mantra and Kirtan. New World. pp. 3–17, 34–35. ISBN 978-1-60868-244-7
- ^ Peter Lavezzoli (2006). The Dawn of Indian Music in the West. A&C Black. pp. 371–372. ISBN 978-0-8264-1815-9
- ^ Sara Black Brown (2014). “Krishna, Christians, and Colors: The Socially Binding Influence of Kirtan Singing at a Utah Hare Krishna Festival”. Ethnomusicology (University of Illinois Press) 58 (3): 454–480. doi:10.5406/ethnomusicology.58.3.0454.
- ^ Jayant Lele (1981). Tradition and Modernity in Bhakti Movements. Brill Archive. pp. 121. ISBN 90-04-06370-6
- ^ Christian Lee Novetzke (2013). Religion and Public Memory: A Cultural History of Saint Namdev in India. Columbia University Press. pp. 75, 85–91. ISBN 978-0-231-51256-5
- ^ Manohar Laxman Varadpande (1987). History of Indian Theatre. Abhinav. pp. 95–96. ISBN 978-81-7017-278-9
- ^ Varadpande, Manohar Laxman (1992). History of Indian Theatre. 2. Abhinav Publications. p. 95. ISBN 9788170172789