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Κορινθιακά
Λακωνικά
Μεσσηνιακά
Ἠλιακῶ
Ἠλιακῶ
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[5]
ὁ δ ὲ π α ῖς ὁ ἀναδούμενος ταινίᾳ τ ὴν κεφαλὴν ἐπεισήχθω μ ο ι κ α ὶ ο ὗτος ἐς τ ὸν λόγον Φειδίου τ ε ἕν ε κ α κ α ὶ τ ῆς ἐς τ ὰ ἀγάλματα τ ο ῦ Φειδίου σοφίας, ἐπ ε ὶ ἄλλως γ ε ο ὐκ ἴσ μ ε ν ὅτ ο υ τ ὴν ε ἰκόνα ὁ Φειδίας ἐποίησε. Σάτυρος δ ὲ Ἠλ ε ῖος Λυσιάνακτος πατρός, γένους δ ὲ τ ο ῦ Ἰαμιδῶν , ἐν Νεμέᾳ πεντάκις ἐνίκησε πυκτεύων κ α ὶ Π υ θ ο ῖ τ ε δ ὶς κ α ὶ δ ὶς ἐν Ὀλυμπίᾳ: τέχνη δ ὲ Ἀθηναίου Σιλανίωνος ὁ ἀνδριάς ἐσ τ ι . πλάστης δ ὲ ἄλλος τ ῶν Ἀττικῶν Πολυκλῆς, Σταδιέως μαθητὴς Ἀθηναίου, πεποίηκε π α ῖδ α Ἐφέσιον παγκρατιαστήν, Ἀμύνταν Ἑλλανίκου.
Pausanias. Pausaniae Graeciae Descriptio, 3 vols. Leipzig, Teubner. 1903.
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- Andrew Stewart, One Hundred Greek Sculptors, Their Careers and Extant Works, The Early and High Classic Periods
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