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Caihua

From Wikipedia, the free encyclopedia
Caihua
Caihua of the Forbidden City
Traditional Chineseいろどり
Simplified Chineseいろどり
Literal meaning"Colour-painting"
Transcriptions
Standard Mandarin
Hanyu Pinyincǎihuà
IPA[tsʰàɪ.xwâ]

Caihua (Chinese: いろどり; pinyin: cǎihuà), or "colour painting", is the traditional Chinese decorative painting or polychrome used for architecture and one of the most notable and important features of historical Chinese architecture. It held a significant artistic and practical role within the development of East-Asian architecture, as Caihua served not only decoration but also protection of the predominantly wooden architecture from various seasonal elements and hid the imperfections of the wood itself. The use of different colours or paintings would be according to the particular building functions and local regional customs, as well as historical periods. The choice of colours and symbology are based on traditional Chinese philosophies of the Five Elements and other ritualistic principles. [1][2] The Caihua is often separated into three layer structures; timber or lacquer layer, plaster layer, and pigment layer.[citation needed]

History

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The origins of Caihua can be traced back to the Zhou dynasty,[3][4] as the Zuo Zhuan and Guliang Zhuan detailed:

あき桓宮楹。れい天子てんし諸侯しょこう黝堊,大夫たいふくら黈,楹,非禮ひれい也。[5] (the duke painted red the pillars of [duke] Huan's temple. According to rule, King and royalty use dark and white, gentry use white, yeoman use yellow. Red pillars are against etiquette.)

The Rites of Zhou similarly records a ritualistic usage of motifs and colour, based on each respective aspects' corresponding symbolic value.

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See also

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References

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  1. ^ 孙大あきら (1991). 中国ちゅうごく古代こだいけん筑彩 [Ancient Chinese Architectural Colored Drawings] (in Chinese). けん筑工业出版しゅっぱんしゃ. ISBN 7-112-07328-6.
  2. ^ 赵双なり (2006). 中国ちゅうごくけん筑彩图案 [Chinese architecture painting design] (in Chinese). 天津てんしん大学だいがく出版しゅっぱんしゃ. ISBN 978-7561822494.
  3. ^ 刘敦桢 (Liu Dunzhen) (1991). 中国ちゅうごく古代こだいけん筑史 [History of Chinese Ancient Architecture] (2 ed.). 中国ちゅうごくけん筑工业出版しゅっぱんしゃ; だい2はん (China Architecture Building Press). ISBN 9787112019298.
  4. ^ Flags, color, and the legal narrative : public memory, identity, and critique. Anne Wagner, Sarah Marusek. Cham, Switzerland: Springer. 2021. p. 129. ISBN 978-3-030-32865-8. OCLC 1253353500.{{cite book}}: CS1 maint: others (link)
  5. ^ こくはり. 春秋しゅんじゅうこくりょうつたえ . Vol. そうこう, じゅうさんねん – via Wikisource.
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