毬かさ

See also: 球たま

毬かさ U+6BEC, 毬 CJK UNIFIED IDEOGRAPH-6BEC ← 毫 [U+6BEB] CJK Unified Ideographs 毭 → [U+6BED]

Translingual

Han character

毬かさ (Kangxi radical 82, 毛もう+7, 11 strokes, cangjie input 竹山たけやま戈ほこ十じゅう水みず (HUIJE), four-corner 2371₃, composition ⿺毛もう求もとむ)

References

• Kangxi Dictionary: page 593, character 17
• Dai Kanwa Jiten: character 16837
• Dae Jaweon: page 985, character 27
• Hanyu Da Zidian (first edition): volume 3, page 1998, character 3
• Unihan data for U+6BEC

Chinese

Glyph origin

Historical forms of the character 毬かさ
Shuowen Jiezi (compiled in Han)	Liushutong (compiled in Ming)
Small seal script	Transcribed ancient scripts

Characters in the same phonetic series (求もとむ) (Zhengzhang, 2003) 

	Old Chinese
救すくい	*kus
求もとむ	*ɡu
球たま	*ɡu
逑	*ɡu
賕	*ɡu
蛷	*ɡu
莍	*ɡu
殏	*ɡu
梂	*ɡu
俅	*ɡu
脙	*ɡu, *qʰu
絿	*ɡu
銶	*ɡu
毬かさ	*ɡu
捄	*ɡu, *ko
觩	*ɡu

Phono-semantic compound (形聲けいせい／形声けいせい, OC *ɡu) : semantic 毛もう (“hair”) + phonetic 求もとむ (OC *ɡu)

Etymology 1

trad.		毬かさ
simp.		球たま*

Pronunciation

• Mandarin

  (Pinyin): qiú (qiu²)

  (Zhuyin): ㄑㄧㄡˊ

• Southern Min (Hokkien, POJ): kiû / khiû

---

• Mandarin
  • (Standard Chinese)⁺
    • Hanyu Pinyin: qiú
    • Zhuyin: ㄑㄧㄡˊ
    • Tongyong Pinyin: cióu
    • Wade–Giles: chʻiu²
    • Yale: chyóu
    • Gwoyeu Romatzyh: chyou
    • Palladius: цю (cju)
    • Sinological IPA ^(key): /t͡ɕʰi̯oʊ̯³⁵/
• Southern Min
  • (Hokkien: General Taiwanese)
    • Pe̍h-ōe-jī: kiû
    • Tâi-lô: kiû
    • Phofsit Daibuun: kiuu
    • IPA (Taipei): /kiu²⁴/
    • IPA (Kaohsiung): /kiu²³/
  • (Hokkien: General Taiwanese)
    • Pe̍h-ōe-jī: khiû
    • Tâi-lô: khiû
    • Phofsit Daibuun: qiuu
    • IPA (Kaohsiung): /kʰiu²³/
    • IPA (Taipei): /kʰiu²⁴/

Definitions

毬かさ

1. This term needs a translation to English. Please help out and add a translation, then remove the text {{rfdef}}.

Etymology 2

For pronunciation and definitions of 毬かさ – see 球たま (“fine jade; percussion instrument made of jade; etc.”). (This character is the simplified form of 球たま).

Notes: Simplified Chinese is mainly used in Mainland China, Malaysia, and Singapore. Traditional Chinese is mainly used in Hong Kong, Macau, and Taiwan.

Compounds

• 拍はく結ゆい毬かさ／拍はく结球 (phah-kat-kiû) (Min Nan)
• 擊げき毬かさ／击球
• 柳やなぎ花はな毬かさ／柳やなぎ花はな球だま
• 毬かさ果はて／球たま果はて
• 毬かさ蘭らん／球たま兰 (qiúlán)
• 氣き毬かさ／气球
• 水晶すいしょう毬かさ／水晶すいしょう球だま
• 火ひ毬かさ／火ひ球だま
• 燈ひ毬かさ／灯ひ球だま
• 皮かわ燈とう毬かさ／皮かわ灯とう球だま
• 絨毬／绒球
• 袞毬／衮球
• 踢毬／踢球
• 香こう毬かさ／香こう球だま
• 驢うさぎうま糞くそ毬かさ／驴粪球だま

 

Japanese

Kanji

毬かさ

(Jinmeiyō kanji)

1. ball
2. bur; husk; cone

Readings

• Go-on: ぐ (gu)
• Kan-on: きゅう (kyū)^{←きう (kiu, historical)}
• Kun: まり (mari, 毬かさ); いが (iga, 毬かさ)

Etymology 1

Noun

毬かさ(まり) • (mari) 

1. a ball; (especially) a ball used to play kemari
   • 1947, Toyoshima Yoshio, Kin no me gin no me:

     危(あぶ)ない!と太ふとし(た)郎ろう(ろう)が思おもえ(おも)ったとたん、少すくな(しょう)年とし(ねん)は毬かさ(まり)から転てん(ころ)がり落(お)ち、毬かさ(まり)は見み(けん)物もの(ぶつ)人ひと(にん)のひざにはねかえりました。

     Abunai! to Tarō ga omotta totan, shōnen wa mari kara korogari ochi, mari wa kenbutsunin no hiza ni hanekaerimashita.

     Just as Taro was thinking “Watch out!”, the young man with the ball tumbled down and the ball ricocheted into the knees of the spectators.

Etymology 2

Noun

毬かさ(いが) or 毬かさ(イガ) • (iga) 

1. (botany, forestry) burr (seed pod of a chestnut or similar tree)
   • 2005, Mihara Yoshiaki, Kyūjūsai yamamori no yuigon: mori no kenkō to hito no kenkō [Testament of a 90 year old forest ranger: Health of forests and health of people]‎^[1], page 11:

     秋あき(あき)になると、その自じ(じ)生せい(せい)樹き(き)に大だい(おお)きな栗ぐり(くり)の毬かさ(いが)がなり始はじめ(はじ)めたのです。

     Aki ni naru to, sono jisei ki ni ōkina kuri no iga ga nari hajimeta no desu.

     In autumn, the large, native chestnuts have just begun to put out seed burrs.

Korean

Hanja

毬かさ • (gu) (hangeul 구, revised gu, McCune–Reischauer ku, Yale kwu)

1. ball, anything round, sphere

Vietnamese

Han character

毬かさ: Hán Nôm readings: cầu

1. This term needs a translation to English. Please help out and add a translation, then remove the text {{rfdef}}.

References

• Thiều Chửu : Hán Việt Tự Điển Hà Nội 1942
• Trần Văn Chánh: Từ Điển Hán Việt NXB Trẻ, Ho Chi Minh Ville, 1999