Lu Xun

Daripada Wikipedia, ensiklopedia bebas.
Zhou Shuren
Nama penaLu Xun
PekerjaanPenulis cereka, pengkritik, penulis esei
Tempoh1918-1936

Lu Xun (Cina Tradisional: 魯迅ろじん, Cina Ringkas: 鲁迅, pinyin: Lǔ Xùn) atau Lu Hsün (Wade-Giles), merupakan nama samaran dari Zhou Shuren (Cina Tradisional: しゅうじゅじん; Cina Ringkas: しゅう树人; pinyin: Zhōu Shùrén; Wade-Giles: Chou Shu-jen) ((-01-09)9 Januari Ralat ungkapan: Pengendali > tidak dijangka bulan tidak sah) adalah seorang penulis terkemuka China dari abad ke-20. Ia dianggap oleh banyak sebagai pendiri sastera Cina, dia menulis di baihua (しろ话) (yang asli) serta Cina klasik. Lu Xun adalah seorang penulis cerpen, penyunting, penerjemah, pengkritik, penulis esei dan penyair. Pada 1930-an beliau menjadi ketua pada nama Liga China Penulis Sayap-Kiri di Shanghai.

Lu Xun's works exerted a very substantial influence after the May Fourth Movement to such a point that he was lionized by the Communist regime after 1949. Mao Zedong himself was a lifelong admirer of Lu Xun's works. Though sympathetic to the ideals of the Left, Lu Xun never actually joined the Chinese Communist Party. Lu Xun's works are known to English readers through numerous translations, especially Selected Stories of Lu Hsun translated by Yang Hsien-yi and Gladys Yang. Error: tiada nama laman disertakan (help).

Pekerjaan[sunting | sunting sumber]

Syarahan[sunting | sunting sumber]

"What Happens After Nora Leaves Home?" A Talk given at the Beijing Women's Normal College, December 26, 1923 Ding Ling and Lu Hsun, The Power of Weakness.' The Feminist Press (2007) 84-93

Cerita[sunting | sunting sumber]

  • from 《呐喊》 Call to Arms (1922)
    • 狂人きょうじん记 "A Madman's Diary" (1918)
    • あなおつおのれ "Kong Yiji" (1919)
    • 药 " Medicine" (1919)
    • 明天めいてん "Tomorrow" (1920)
    • いちけん小事しょうじ " An Incident" (1920)
    • 头发てき故事こじ "The Story of Hair" (1920)
    • 风筝 "Kite" (1925)
    • 风波 " Storm in a Teacup" (1920)
    • 乡 " Hometown" (1921)
    • おもねQせい传 "The True Story of Ah Q" (1921)
    • 端午たんご节 "The Double Fifth Festival" (1922)
    • 白光はっこう "The White Light" (1922)
    • うさぎねこ "The Rabbits and the Cat" (1922)
    • 鸭的剧 "The Comedy of the Ducks" (1922)
    • しゃ戏 " Village Opera" (1922)
    • " New Year Sacrifice" (1924)
  • from《彷徨ほうこう》"Wandering"
    • 祝福しゅくふく Well Wishes(1924)
    • ざい酒楼しゅろうじょう In the Drinking House (1924)
    • 幸福こうふくてき家庭かてい A Happy Family (1924)
    • こえSoap (1924)
    • 长明とう The Eternal Flame (1924)
    • しめせ众 Public Exhibition (1925)
    • こうろう夫子ふうし Old Mr. Gao (1925)
    • 孤独こどくしゃ Dictator (1925)
    • 伤逝 Sadness
    • おとうとけい Brothers
    • 离婚 Divorce (1925)
  • from《故事こじしん编》"Old Tales Retold" (1935)
    • 补天 Mending Heaven (1935)
    • 奔月 The Flight to the Moon (1926)
    • すい Curbing the Flood (1935)
    • さいぜんまい Gathering Vetch (1935)
    • 铸剑 Forging the Swords (1926)
    • 关 Going out (1935)
    • 怀旧 Leaving the Pass (1935)
    • おさむ Opposing Aggression (1934)
    • 起死きし Resurrect the Dead (1935)

Karangan[sunting | sunting sumber]

  • わがこれ节烈观 My Views on Chastity (1918)
  • わが们现ざい怎么做父亲 What is Required to be a Father Today (1919)
  • Knowledge is a Crime (1919)
  • 说胡须 My Moustache (1924)
  • 镜有かん Thoughts Before the Mirror (1925)
  • On Deferring Fair Play (1925)

Koleksi[sunting | sunting sumber]

  • 《呐喊》 Call to Arms (Na han) (1923)
  • 彷徨ほうこう》 Wondering (Pang huang) (1925)
  • 中国ちゅうごくしょう说史りゃく》 Brief History of Chinese Fiction (Zhongguo xiaoshuo shilüe) (1925) a substantial study of pre-modern Chinese literature
  • 故事こじしん编》 Old Tales Retold (Gu shi xin bian) (1935)
  • 野草やそう》 Wild Grass (Ye cao) (1927)
  • あさはなゆうひろえ》 Dawn Blossoms Plucked at Dusk (Zhao hua xi shi)(1932) a collection of essays about his youth

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Terjemahan[sunting | sunting sumber]