早川はやかわ雪洲せっしゅう

早川はやかわ雪洲せっしゅう
攝と於1918年ねん
男おとこ演えんじ员
出生しゅっしょう	早川はやかわ 金太郎きんたろう (1886-06-10)1886年ねん6月がつ10日とおか 大日本帝国だいにっぽんていこく千葉ちば縣けん朝あさ夷えびす郡ぐん千田せんだ村むら
逝世	1973年ねん11月23日にち(1973歲さい—11—23)（87歲さい） 日本にっぽん東京とうきょう都と千代田ちよだ區く神田駿河台かんだするがだい
配偶はいぐう	青木あおき鶴子つるこ （1914年ねん结婚—1961年ねん丧偶）
儿女	3
活かつ跃年代だい	1914年ねん－1966年ねん

早川はやかわ雪洲せっしゅう（日にち语：早川はやかわ雪洲せっしゅう／はやかわ せっしゅう ^{Hayakawa Sesshū}，英語えいご：Sessue Hayakawa，1886年ねん6月がつ10日とおか—1973年ねん11月23日にち），本名ほんみょう早川はやかわ金太郎きんたろう，出生しゅっしょう於日本にっぽん千葉ちば縣けん安房あわ郡ぐん千倉ちくら町まち（現げん南みなみ房總ぼうそう市し），青年せいねん時じ赴美國びくに芝しば加か哥大學がく攻おさむ讀經濟けいざい學がく，後來こうらい活躍かつやく於好こう萊塢等ひとし歐おう美よし電でん影かげ界さかい，並なみ成なり為ため20世紀せいき10年代ねんだい中期ちゅうき至いたり20年代ねんだい晚期ばんき的てき超ちょう級きゅう巨星きょせい，風靡ふうび了りょう許多きょた女性じょせい觀かん眾，其地位い堪こらえ與あずか同どう時代じだい的てき查理·卓たく別べつ林りん、范朋克かつ等とう人相にんそう提ひさげ並なみ論ろん。早川はやかわ雪洲せっしゅう也是第だい一位在西方電影界達到頂峰成就的日本人にっぽんじん和わ東亞とうあ人じん。晚年ばんねん參與さんよ《桂かつら河かわ大橋おおはし》的てき演出えんしゅつ，並なみ獲え提ひさげ名めい為ため1957年ねん的てき奥おく斯卡最さい佳男よしお配はい角かく奖。

雖然早川はやかわ雪洲せっしゅう卓越たくえつ的てき演技えんぎ從したがえ無聲むせい電でん影かげ時代じだい到いた有ゆう聲こえ電でん影かげ時代じだい皆みな得え到いた了りょう西方せいほう人的じんてき肯定こうてい，但ただし卻因1915年ねん在ざい電でん影かげ《The Cheat》中ちゅう扮ふん演えんじ一個冷酷殘忍的日本青年而遭受祖國日本輿論よろん的てき猛烈もうれつ抨擊，並なみ被ひ扣上了りょう國くに恥はじ大だい帽ぼう，此事讓ゆずる愛國あいこく心こころ極ごく強的ごうてき早川はやかわ雪洲せっしゅう深ふか覺さとし遺憾いかん與あずか不平ふへい。二に戰せん結束けっそく後ご，早川はやかわ雪洲せっしゅう積極せっきょく地ち回かい到いた日本にっぽん活動かつどう，參與さんよ了りょう多た部ぶ日本にっぽん電でん影かげ的てき演出えんしゅつ。1966年ねん因いん妻子さいし青木あおき鶴子つるこ過か世よ的てき影響えいきょう而正式しき息いき影かげ，1973年ねん於東京とうきょう都と千代田ちよだ區く神田かんだ的てき杏あんず雲くも堂どう醫院いいん因いん腦溢血のういっけつ病やまい逝，享とおる壽ことぶき87歲さい。

早川はやかわ雪洲せっしゅう對たい於自己じこ的てき演技えんぎ如此評論ひょうろん：

“ 我わが不ふ是ぜ在ざい扮ふん演えんじ一いち個こ角かく色しょく，而是在ざい扮ふん演えんじ一いち個こ明星みょうじょう。 ”

電でん影かげ作品さくひん

• 1914: O Mimi San
• 1914: The Courtship of O San
• 1914: The Geisha
• 1914: The Ambassador’s Envoy
• 1914: The Wrath of the Gods/The Destruction of Sakura-Jima or The Wrath of the Gods – Lord Yamaki
• 1914: A Tragedy of the Orient
• 1914: A Relic of Old Japan
• 1914: Star of the North
• 1914: The Curse of the Caste
• 1914: The Village ’Neath the Sea
• 1914: The Death Mask
• 1914: The Typhoon – Tokorama
• 1914: The Hateful God
• 1914: The Vigil – Kenjiro
• 1914: Mother of the Shadows – Running Elk
• 1914: The Last of the Line – Tiah - Gray Otter's Son
• 1915: After Five – Oki, the Valet
• 1915: The Famine – Horisho
• 1915: The Chinatown Mystery – Yo Hong
• 1915: The Clue – Nogi
• 1915: The Secret Sin – Lin Foo
• 1915: The Cheat (1915) (The Cheat) − Hishuru Tori/Haka Arakau
• 1915: Temptation – Opera Admirer
• 1916: Alien Souls – Sakata
• 1916: The Honorable Friend – Makino
• 1916: The Soul of Kura San – Toyo
• 1916: The Victoria Cross – Azimoolah
• 1917: Each to His Kind – Rhandah
• 1917: The Bottle Imp – Lopaka
• 1917: The Jaguar’s Claws – El Jaguar
• 1917: Forbidden Paths – Sato
• 1917: Hashimura Togo – Hashimura Togo
• 1917: The Call of the East – Arai Takada
• 1917: The Secret Game – Nara-Nara
• 1918: The Hidden Pearls – Tom Garvin
• 1918: The Honor of His House/Honor of the House – Count Ito Onato
• 1918: The White Man’s Law – John A. Genghis
• 1918: The Bravest Way – Kara Tamura
• 1918: The City of Dim Faces – Jang Lung
• 1918: His Birthright - Yukio
• 1918: The Temple of Dusk – Akira
• 1918: Banzai – The American General
• 1918: United States Fourth Liberty Loan Drive/An Untitled Liberty Loan Film
• 1919: Bonds of Honor – Yamashito/Sasamoto
• 1919: A Heart in Pawn – Tomaya
• 1919: The Gray Horizon
• 1919: The Dragon Painter – Tatsu, the Dragon Painter
• 1919: The Illustrious Prince – Prince Maiyo
• 1919: The Tong Man – Luk Chen
• 1919: The Courageous Coward – Suki Iota
• 1919: His Debt – Goto Mariyama
• 1919: The Man Beneath – Dr. Chindi Ashutor
• 1920: The Beggar Prince – Nikki/Prince
• 1920: The Brand of Lopez – Vasco Lopez
• 1920: The Devil’s Claim – Akbar Khan/Hassan
• 1920: Li Ting Lang/Traditions Altar – Li Ting Lang
• 1920: An Arabian Knight – Ahmed
• 1921: The First Born – Chan Wang
• 1921: Black Roses – Yoda
• 1921: Where Lights Are Low – T Su Wong Shih
• 1921: The Swamp – Wang
• 1922: Five Days to Live – Tai Leung
• 1922: The Vermilion Pencil – Tse Chan/The Unknown/Li Chan
• 1922: Night Life in Hollywood/The Shriek of Hollywood
• 1923: About everything the fatherland, or the battle (La bataille)
• 1924: Sen Yan's Devotion – Sen Yan
• 1924: The Great Prince Shan – Prince Shan
• 1924: The Danger Line – Marquis Yorisaka
• 1924: J’ai tué!/Fidélité/I Have Killed – Hideo the antiquarian
• 1929: Sessue Hayakawa in 'The Man Who Laughed Last'
• 1931: Daughter of the Dragon – Ah Kee
• 1931: Around the World with Douglas Fairbanks
• 1932: Running Hollywood
• 1932: Taiyo wa higashi yori/The Sun Rise from the East – Kenji
• 1934: Bakugeki hikôtai
• 1935: Tôjin Okichi
• 1935: Kuni o mamoru mono: Nichiren
• 1937: The daughter of the samurai/Atarashiki tsuchi/The New Earth/The New Soil – Iwao Yamato
• 1937: Yoshiwara – Isamo, Kuli
• 1937: Branded (Forfaiture/The Cheat) – Prince Hu-Long
• 1938: Storm over Asia (1938) (Tempête sur l'Asie) – Le prince Ling
• 1939/1942: Macau gambling/Macao, l'enfer du jeu/Gambling Hell/Mask of Korea – Ying Tchaï
• 1942: Patrouille blanche – Halloway
• 1943: Soleil de minuit, Le – Matsui
• 1943: Malaria – Saïdi
• 1946: Le cabaret du grand large – Professeur Wang
• 1947: Quartier chinois – Tchang
• 1949: Tokyo Joe – Baron Kimura
• 1950: Three Came Home – Colonel Suga
• 1950: Harukanari haha no kuni/The Motherland Far Far Away – Joe Hayami
• 1950: Re mizeraburu: kami to akuma/Les Miserables: Gods and Demons
• 1950: Re mizeraburu: kami to jiyu no hata
• 1953: Onna kanja himon − Akô rôshi
• 1953: Kurama Tengu to Katsu Kaishû
• 1953: Higeki no shôgun: Yamashita Tomoyuki
• 1954: Nihon yaburezu
• 1955: Tokio−Story (House of Bamboo) – Inspector Kito
• 1957: The Bridge on the River Kwai – Col. Saito
• 1958: The geisha boy – Mr. Sikita
• 1959: Green Mansions – Runi
• 1960: Hell to Eternity – Gen. Matsui
• 1960: Swiss Family Robinson – Kuala, Pirate Chief
• 1961: The Big Wave – The Old Man
• 1966: The Daydreamer – The Mole
• 1967: Junjô nijûsô

電でん視し演出えんしゅつ

• 1958: Kraft Television Theatre: The Sea Is Boiling Hot
• 1958: Studio One: Kurishiki Incident – Sato
• 1958: Wagon Train: The Sakae Ito Story – Sakae Ito
• 1961: Here’s Hollywood (1961)
• 1963: Route 66: Two Strangers and an Old Enemy– Takasuka

文學ぶんがく出版しゅっぱん

• Sessue Hayakawa: The samurai's son. The life of Sessue Hayakawa. Henry Goverts Verlag, Stuttgart 1963.
• S. Noma (Hrsg.): Hayakawa Sesshu. In: Japan. An Illustrated Encyclopedia. Kodansha, 1993. ISBN 4-06-205938-X, S. 511.
• Donald Kirihara: The Accepted Idea Displaced. Stereotype and Sessue Hayakawa. In: Daniel Bernardi (Hrsg.): The Birth of Whiteness. Race and the Emergence of U.S. Cinema. Rutgers University Press, New Brunswick NJ 1996, ISBN 0-8135-2277-3, S. 81–99.