Kagura
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Kagura (
One major function of kagura is chinkon (purifying and shaking the spirit), involving a procession-trance process. Usually a female shaman will perform the dance and obtain the oracle from the god—in the setting, the dancer herself turns into the god during the performance.[1] Once strictly a ceremonial art derived from kamigakari (
Types of kagura
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There are two major types of kagura: mai and odori. Mai consists of slow circular movement, stressing quiet and elegance, while odori consists of quick leaping and jumping, stressing activation and energy. The two types can be understood as two phases of kagura: mai is a preparation process for trance and odori is the unconscious trance stage.
During mai, the female shaman, surrounded by a group of priests, holds a gohei (a ceremonial wand used to cleanse or purify) as well as sound-producing instruments and engages with circling movement to summon deities. Once the female shaman enters a possessed state, she switches into the spontaneous leaping movements of odori.[1]
History
[edit]The epics Kojiki and Nihon Shoki describe a folktale origin for the dances. In these texts, there is a famous legendary tale about the sun goddess Amaterasu, who retreated into a cave, bringing darkness and cold to the world. Ame-no-Uzume, goddess of the dawn and of revelry, led the other gods in a wild dance, and persuaded Amaterasu to emerge to see what the ruckus was all about.[3] Kagura is one of a number of rituals and arts said to derive from this event.
Originally called kamukura/kamikura (
Over time, however, these mikagura (
Kagura, in particular those forms that involve storytelling or reenactment of fables, is also one of the primary influences on the Noh theatre.
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Kagura dance in 1914
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Gohei – a ceremonial wand used to cleanse or purify
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Mask from contemporary kagura performance
Imperial kagura
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Mikagura (
The kagura-uta is the sacred vocal repertoire of 26 songs (Niwabi, Achime, Sakaki, Karakami, Hayakarakami, Komomakura, Sazanami, Senzai, Hayauta, Hoshi, Asakura, Sonokoma, etc.) traditionally performed by a male choir for several days, but reduced today to 12 chants performed in six hours.[7] Instruments used include the yokobue (
There are several mikagura dances, including:[7]
- The Yamato Mai (
大和 舞 , "dance of Japan"), associated with the Yamato uta (大和歌 , "song of Japan"), making use of the ryūteki or hichiriki and a pair of shakubyōshi, and with or without a zither; - The Azuma Asobi (
東遊 , "game of Oriental countries"), using the komabue; - The Kume Mai (
久米 舞 , "dance of Kume"), associated with the kume uta, using the kagurabue, the hichiriki and the wagon.
The formal Imperial ritual dances are performed in a number of sacred places and on a number of special occasions. At the Imperial Sanctuary, where the Yata no kagami is kept, they are performed as part of gagaku court music. Mikagura are also performed at the Imperial harvest festival and at major shrines such as Ise, Kamo, and Iwashimizu Hachiman-gū. Since around the year 1000, these events have taken place every year.
According to the Board of Ceremonies of the Imperial Household Agency, mikagura still take place every December in the Imperial Sanctuary and at the Imperial harvest festival ceremonies.
Folk kagura
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Satokagura, or "normal kagura", is a wide umbrella term containing a great diversity of folk dances derived from the Imperial ritual dances (mikagura), and incorporated with other folk traditions. It is the partial origin of both Noh and kyōgen.[10] A number of traditions of folk kagura exist:[5]
![](https://upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Urayasu-no-Mai-Kagura.jpg/220px-Urayasu-no-Mai-Kagura.jpg)
- Miko kagura – dances performed by shrine maidens (miko) originally derived from ritual dances in which the miko channeled the kami, as part of Imperial Court dances. These originally had a very loose form, akin to similar god-possession dances and rituals, but over time they have developed, into highly regular set forms. Today, they are performed by shrines during the daijō-sai (
大嘗祭 ) festival and in worship to kami as part of a matsuri. They are also performed at Buddhist temples as a martial arts performance. These dances are often performed with ritual props, such as bells, bamboo canes, sprigs of sakaki, or paper streamers. - Izumo-ryū kagura – dances based on those performed at Izumo Shrine serve a number of purposes, including ritual purification, celebration of auspicious days, and the reenactment of folktales. Originally quite popular in the Chūgoku region, near Izumo, these dances have spread across the country, and have developed over the centuries, becoming more of a secular folk entertainment and less of a formal religious ritual. The sacred dance of the Sada shrine has been inscribed on the UNESCO list of Intangible cultural heritage of humanity since 2011.[11]
- Hayachine Kagura – a form of dances derived from Yamabushi (a mobile group that embraces ascetic lives to gain power). This genre stresses on the power and energy. The performers always wear masks and use tools such as drum and sword to represent the magical power processed by Yamabushi.[4] It was inscribed in 2009 as an Intangible cultural heritage of humanity by UNESCO.[12]
- Yutate kagura – a form of dances where miko and priests dip bamboo leaves in hot water and splash the hot water on themselves by shaking the leaves, and then scattering the hot water to people around the area.
- Shishi kagura – a form of lion dance, in which a group of dancers take on the role of the lion (shishi) and parade around the town. The lion mask and costume is seen as, in some ways, embodying the spirit of the lion, and this is a form of folk worship and ritual, as other forms of lion dances are in Japan and elsewhere.
- Daikagura – a form of dance deriving from rituals performed by traveling priests between Ise Grand Shrine and Atsuta Shrine, who would travel to villages, crossroads, and other locations to help the locals by driving away evil spirits. Acrobatic feats and lion dances played a major role in these rituals.
Around the time of the beginning of the Tokugawa shogunate (1603–1868), performances derived from this emerged in Edo as a major form of entertainment. In connection with the celebrations surrounding the beginning of the shogunate, lion dances, acrobatics, juggling, and a great variety of other entertainments were performed on stages across the city, all nominally under the auspices of daikagura. Over the course of the period, these came to be more closely associated with rakugo storytelling and other forms of popular entertainment. Daikagura continues to be performed to this day and include many elements of street entertainment.
See also
[edit]References
[edit]- ^ a b c Averbuch, Irit (1998). "Shamanic Dance in Japan: The Choreography of Possession in Kagura Performance". Asian Folklore Studies. 57 (2): 293–329. doi:10.2307/1178756. ISSN 0385-2342. JSTOR 1178756.
- ^ Petersen, David (2007). Invitation to Kagura: Hidden Gem of the Traditional Japanese Performing Arts. Morrisville: Lulu Press.
- ^ Nihongi: Chronicles of Japan from the Earliest Times to A.D. 697, translated from the original Chinese and Japanese by William George Aston. Book I, part 1, page 44f. Tuttle Publishing. Tra edition (July 2005). First edition published 1972. ISBN 978-0-8048-3674-6
- ^ a b Lancashire, Terence (2001). ""Kagura" - A "Shinto" Dance? Or Perhaps Not". Asian Music. 33 (1): 25–59. doi:10.2307/834231. ISSN 0044-9202. JSTOR 834231.
- ^ a b c Takayama Shigeru (February 20, 2007). "Performing Arts: Kagura". Encyclopedia of Shinto. Kokugakuin University. Retrieved June 7, 2019..
- ^ Whitney Hall, John; M. Brown, Delmer; B. Jansen, Marius (1993). The Cambridge History of Japan. Vol. 1. Cambridge University Press. p. 650. ISBN 978-0-521-22352-2. Retrieved June 7, 2019.
- ^ a b c Akira Tamba. "Musiques traditionnelles du Japon". Actes Sud.
- ^ S. Kishibe (March 1984) [1984]. The Traditional Music of Japan, Ongaku no tomo edition. Tokyo: Ongaku No Tomo Sha Corp. p. 42.
- ^ Véronique Brindeau. "Musiques du Japon". Philharmonie de Paris à la demande. Retrieved June 29, 2020..
- ^ "Shinto Shrines". Japan National Tourism Organization. Archived from the original on February 8, 2007. Retrieved May 4, 2009..
- ^ "Le Sada shin noh, danse sacrée au sanctuaire de Sada, Shimane". ich.unesco.org. Retrieved June 7, 2019.
- ^ "Le kagura d'Hayachine". ich.unesco.org. Retrieved June 7, 2019.
- Derived primarily from the Japanese Wikipedia article.
- Giolai Andrea, Introducing Mikagura.Some Ethnomusicological Features of an Ancient Japanese Ritual, https://web.archive.org/web/20160316132415/http://www.centrostudiorientaliroma.net/introducing-mikagura-%e5%be%a1%e7%a5%9e%e6%a5%bd-some-ethnomusicological-features-of-an-ancient-japanese-ritual/?lang=en
External links
[edit]Media related to Kagura at Wikimedia Commons