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冒险片 - 维基百科,自由的百科全书 とべ转到内容ないよう

おかせ险片

维基百科ひゃっか自由じゆうてき百科ひゃっかぜん

おかせ险片英語えいごadventure filmこれ电影かたこれいち[1]动作へん不同ふどうてきおかせ险片てき动作场景一般都是出现在充满活力的异国情调的地方[2]

おかせ险片包括ほうかつうみぬすめへん英語えいごswashbuckler film)、灾难へん英語えいごdisaster film)、历史へん英語えいごhistorical fiction),类似ふみ诗片英語えいごepic film)。主要しゅようじょう元素げんそ迷失てきだい陆、沙漠さばく、丛林,人物じんぶつえいいさみ寻宝あるさがせ险而てん未知みち旅程りょてい。题材らいげん于历故事こじ、传说、おかせ英雄えいゆうてきこと迹等。国王こくおう、战争、叛乱はんらんうみぬすめつね见的职业元素げんそ[3]おかせ险片どう时也结合まぼろしへん英語えいごscience fiction)、まぼろしへん英語えいごfantasy film战争へん英語えいごwar filmてきじょう节结构而现。

沿革えんかく

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おかせ险片达到顶峰时期ざい1930年代ねんだい1940年代ねんだいてきこう莱坞,如著めいてきおかせ险片《侠盗きょうとう罗宾汉》、《罗的めん》、《ふね长血》,早期そうきおかせ险片てきかくしょく主要しゅよう男性だんせい主要しゅようひょう现他们英いさみ抵抗ていこう镇压、はん对暴くん,慢慢おかせ险片加入かにゅうりょう女性じょせいぬしかく[3]

流行りゅうこう概念がいねん

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おかせ险片さと包括ほうかつ一些刻板的角色,ぼう种情况下,观众评论认为这具有ぐゆう“隐蔽てき种族ぬし义”,如《しるしだいやす纳·琼斯宫传》、《だいいちてきかず“詹姆斯·くにとく系列けいれつ电影”就被ひかえだいさん世界せかい人民じんみん”。[4][5]

参考さんこう文献ぶんけん

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  1. ^ as a genre, the adventure film, also sometimes referred to as the "action-adventure" film, is one of the most uniformly popular and stable of categories. [2011-04-13]. (原始げんし内容ないようそん档于2011-01-19). 
  2. ^ the viewer of adventure films can live vicariously through the travels, conquests, explorations, creation of empires, struggles and situations that confront the main characters, actual historical figures or protagonists.. [2011-04-13]. (原始げんし内容ないようそん于2012-05-30). 
  3. ^ 3.0 3.1 adventurefilms. [2014-03-17]. (原始げんし内容ないようそん于2012-05-30). 
  4. ^ Ken Dancyger (2007) and Jeff Rush Alternative scriptwriting, Fourth edition. quote:

    Stereotypes abound in the adventure genre. Examples range from the mad scientist in Dr. No to the mindless thugs in Indiana Jones and the Temple of Doom. The racism implicit in the latter film and films such as First Blood are by-products of the stereotyping rampant in the adventure genre

  5. ^ Thomas Pynchon (1997) Slow Learner. quote: "Modern readers will be, at least, put off by an unacceptable level of racist, sexist and proto-Fascist talk throughout this story [written in the 1950s]. I wish I could say that this is only Pig Bodine's voice, but, sad to say, it was also my own at the time. The best I can say for it now is that, for its time, it is probably authentic enough. John Kennedy's role model James Bond was about to make his name by kicking third-world people around, another extension of the boy's adventure tales a lot of us grew up reading. There had prevailed for a while a set of assumptions and distinctions, unvoiced and unquestioned, best captured years later in the '70's television character Archie Bunker."